Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse

WORKS 31081 – 31100 of 32046 IMAGES ONLY

Sort By:

Results per page:

Artist: WICKS, Arthur | Title: Whisper | Date: 1968 | Technique: screenprint, printed in colour, from multiple stencils

Title: Whispering Kierkegaard | Date: 2009 | Technique: carborundum, printed in blue and yellow ink, each from multiple plates; with woodcut additions

Artist: GRIFFITH, Pamela | Title: Whistling ducks | Date: 1989 | Technique: hard ground, aquatint, burnishing, hand tinting on one copper plate | Copyright: © Pamela Griffith

Artist: GRIFFITH, Pamela | Title: Whistling ducks | Date: 1989 | Technique: hardground-etching and aquatint, printed in black ink, from one copper plate | Copyright: © Pamela Griffith

Artist: GRIFFITH, Pamela | Title: Whistling ducks | Date: 1989 | Technique: hard ground, aquatint, trial hand tinting on one copper plate | Copyright: © Pamela Griffith

Artist: GRIFFITH, Pamela | Title: Whistling ducks | Date: 1989 | Technique: hard ground, aquatint, burnishing, on one copper plate | Copyright: © Pamela Griffith

Artist: Boris, Nicoletta. | Title: Whistling in the Dark. A new buffoon show by Red Weather. | Date: 1984 | Technique: screenprint, printed in colour, from two stencils

Artist: Brash, Barbara. | Title: White backed magpie. | Date: 1965 | Technique: screenprint, printed in colour, from four stencils

Artist: Lincoln, Kevin. | Title: White bowl. | Date: 1998 (dated) | Technique: engraving, printed in black ink, from one perspex plate; hand-coloured

Artist: Spurrier, Stephen. | Title: White cloud | Date: c.1967 | Technique: etching, printed in black ink, from one plate

Artist: SUTINER, Asko | Title: White Company | Technique: lithograph, printed in black ink, from one stone [or plate]

Artist: SUTINER, Asko | Title: White Company | Technique: screenprint, printed in colour, from multiple stencils

Artist: SUTINER, Asko | Title: White Company - June 1, June 3 | Technique: screenprint, printed in colour, from multiple stencils

Artist: Casey, Karen. | Title: White dog | Date: 1989 | Technique: screenprint

Artist: McBurnie, Ron. | Title: White dreaming with a black conscience | Date: 1989 | Technique: etching and aquatint, printed in black ink, from one zinc plate | Copyright: © Ron McBurnie

Artist: ARNOLD, Raymond | Title: White factory. [right panel] | Date: 1987 | Technique: screenprint, printed in colour, from multiple stencils

Artist: BOYD, Arthur | Title: (White figure). | Date: 1960-70 | Technique: aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Artist: BOYD, Arthur | Title: White figure over dark | Date: 1985, May | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Artist: BOYD, Arthur | Title: White figure over dark. | Date: (1968-69) | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login