Browse

WORKS 30521 – 30540 of 32133 IMAGES ONLY
Artist: Pye, John. | Title: View of Port Jackson, taken from the South Head. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

John Pye (1782–1874)

View of Port Jackson, taken from the South Head.

(1814)

engraving

Artist: Lycett, Joseph. | Title: View of Port Macquarie at the entrance of the River Hastings, New South Wales. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Port Macquarie at the entrance of the River Hastings, New South Wales.

(1 March 1825 (imprint))

etching and aquatint

Artist: Lycett, Joseph. | Title: View of Roseneath Ferry, taken from the east side, Van Diemen's Land. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Roseneath Ferry, taken from the east side, Van Diemen's Land.

(1 March 1825 (imprint))

etching and aquatint

Artist: Preston, Walter. | Title: View of Sharks Bay, in New South Wales. Taken from Vinegar Hill. | Date: 30 November 1812 (imprint) | Technique: etching and engraving, printed in black ink, from one copper plate

Walter Preston (1787–1821)

View of Sharks Bay, in New South Wales. Taken from Vinegar Hill.

(30 November 1812 (imprint))

etching and engraving

Title: View of Sir Edward Pellew's Group - Gulph (sic) of Carpentaria. | Date: 1814 | Technique: engraving, printed in black ink, from one copper plate

View of Sir Edward Pellew's Group - Gulph (sic) of Carpentaria.

(1814)

engraving

Artist: Courier, Jack. | Title: View of St Ives, Cornwall. | Date: c.1955 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Jack Courier (1915–2007)

View of St Ives, Cornwall.

(c.1955)

lithograph

Artist: Furlonger, Joe. | Title: View of St. Pats 3 | Date: 1992 | Technique: softground etching and drypoint, printed in black ink, from one plate

Joe Furlonger (1952–)

View of St. Pats 3

(1992)

softground etching and drypoint

Artist: Furlonger, Joe. | Title: View of St. Pats 7 (clean plate) | Date: 1992 | Technique: drypoint, printed in black ink with plate-tone, from one plate

Joe Furlonger (1952–)

View of St. Pats 7 (clean plate)

(1992)

drypoint

Artist: Furlonger, Joe. | Title: View of St. Pats 7 (dark plate) | Date: 1992 | Technique: etching, printed in black ink with plate-tone, from one plate

Joe Furlonger (1952–)

View of St. Pats 7 (dark plate)

(1992)

etching

Artist: Haefliger, Paul. | Title: View of Sydney | Date: 1933 | Technique: woodcut, printed in colour, from multiple blocks

Paul Haefliger (1914–1982)

View of Sydney

(1933)

woodcut

Artist: Cooke, George. | Title: View of Sydney and the mouth of the Parramatta. | Date: 1 December 1811 (imprint) | Technique: engraving, printed in black ink, from one copper plate; subsequently hand-coloured in water-colour

George Cooke (1781–1834)

View of Sydney and the mouth of the Parramatta.

(1 December 1811 (imprint))

engraving

Artist: Boys, Thomas Shotter. | Title: View of Sydney from St. Leonards | Date: 11 September 1843 (imprint) | Technique: lithograph, printed in colour, from multiple stones; hand-coloured

Thomas Shotter Boys (1803–1874)

View of Sydney from St. Leonards | Sydney from the North Shore

(11 September 1843 (imprint))

lithograph

Artist: Lycett, Joseph. | Title: View of Tasman's Peak, from Macquarie Plains, Van Diemen's Land. | Date: 1 March 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of Tasman's Peak, from Macquarie Plains, Van Diemen's Land.

(1 March 1825 (imprint))

etching and aquatint

Artist: Claux, Eugene. | Title: (View of Terrace house backyards, Sydney). | Date: 1946 | Technique: etching and aquatint, printed in black ink with plate-tone, from one copper plate

Eugene Claux (1929–1950)

(View of Terrace house backyards, Sydney).

(1946)

etching and aquatint

Artist: Rowe, George. | Title: View of the City of Melbourne. | Date: 1858 | Technique: lithograph, printed in colour, from multiple stones

George Rowe (1796–1864)

View of the City of Melbourne.

(1858)

lithograph

Artist: Lycett, Joseph. | Title: View of the Female Orphan School, near Parramatta, New South Wales. | Date: 1 January 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the Female Orphan School, near Parramatta, New South Wales.

(1 January 1825 (imprint))

etching and aquatint

Artist: Whiteley, Brett. | Title: View of the garden | Date: 1977 | Technique: lithograph, printed in black ink, from one stone | Copyright: This work appears on the screen courtesy of the estate of Brett Whiteley

Brett Whiteley (1939–1992)

View of the garden

(1977)

lithograph

Artist: Lycett, Joseph. | Title: View of the Governor's Retreat, New Norfolk, Van Diemen's Land. | Date: 1 January 1825 (imprint) | Technique: etching and aquatint, printed in black ink, from one copper plate; hand-coloured

Joseph Lycett (1775–1828)

View of the Governor's Retreat, New Norfolk, Van Diemen's Land.

(1 January 1825 (imprint))

etching and aquatint

Artist: Sainson, Louis de. | Title: View of the Heads - Port Jackson. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Louis de Sainson (1801–1887)

View of the Heads - Port Jackson.

(1833)

lithograph

Artist: Lycett, Joseph. | Title: View of the Heads, at the Entrance to Port Jackson, New South Wales. | Date: 1 October 1824 | Technique: etching, aquatint and roulette, printed in black ink, from one copper plate; hand-coloured in watercolour

Joseph Lycett (1775–1828)

View of the Heads, at the Entrance to Port Jackson, New South Wales.

(1 October 1824)

etching