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WORKS 28281 – 28300 of 32051 IMAGES ONLY
Title: The tempest | Date: 1992 | Technique: screenprint, printed in colour, from five stencils

The tempest

(1992)

screenprint

Title: The temple of the winds at Athens / The system of the winds according to Aristotle. | Date: 1843 | Technique: lithograph, printed in black ink, from one stone

The temple of the winds at Athens / The system of the winds according to Aristotle.

(1843)

lithograph

Artist: Coventry, Frederick. | Title: The temporary stairway. | Date: 1929-30 | Technique: engraving, printed in black ink, from one copper plate

Frederick Coventry (1905–1997)

The temporary stairway.

(1929-30)

engraving

Artist: Shead, Garry. | Title: The temptress | Date: c. 1984 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The temptress

(c. 1984)

etching and aquatint

Artist: Mather, John. | Title: The terrace | Date: 1910 | Technique: etching, printed in green ink with plate-tone, from one plate

John Mather (1848–1916)

The terrace

(1910)

etching

Artist: LINDSAY, Lionel | Title: The terrace by the sea | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The terrace by the sea

(1921)

aquatint and burnishing

Artist: Bell, George.. | Title: (The Thames). | Date: c.1912 | Technique: etching, printed in black ink, from one plate

George.. Bell (1878–1966)

(The Thames).

(c.1912)

etching

Artist: Bell, George.. | Title: (The Thames). | Date: c.1912 | Technique: etching, printed in black ink with plate-tone, from one plate

George.. Bell (1878–1966)

(The Thames).

(c.1912)

etching

Artist: Long, Sydney. | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

The Thames from Waterloo Bridge

((1919))

line-etching

Artist: Owen, Gladys. | Title: The thatched barns | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The thatched barns

(1932 (exhibited))

wood-engraving

Artist: Stejskal, Josef Lada. | Title: The Theatre of the Death presents The Winter's Tale... Stables Theatre, Kings Cross. | Date: 1981 | Technique: offset-lithograph, printed in black ink, from one plate

Josef Lada Stejskal (1945–)

The Theatre of the Death presents The Winter's Tale... Stables Theatre, Kings Cross.

(1981)

offset-lithograph

Artist: Campbell, Denise. | Title: The theatre of the world. | Date: 1988 | Technique: woodcut, printed in black ink, from one block

Denise Campbell (1952–)

The theatre of the world.

(1988)

woodcut

Title: The theological basis of colonial genocide | Date: 2008 | Technique: linocut, printed in black ink, from one block

The theological basis of colonial genocide

(2008)

linocut

Artist: Heyes, Ken. | Title: The thicker moustache and the pudgy folded hand with thumb tucked under cover his mouth. The look is opaque, or just more inward: he could be thinking - or listening. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

The thicker moustache and the pudgy folded hand with thumb tucked under cover his mouth. The look is opaque, or just more inward: he could be thinking - or listening.

(1984)

photocopy

Artist: Zoates, Toby. | Title: The Thief of Sydney an animated film by Toby Zoates. | Date: 1984 | Technique: screenprint, printed in colour, from six stencils

Toby Zoates (1949–)

The Thief of Sydney an animated film by Toby Zoates.

(1984)

screenprint

Title: The thinker | Date: c.1985 | Technique: off-set lithograph

The thinker

(c.1985)

off-set lithograph

Artist: Mann, Gillian. | Title: The thinkers | Date: 1990 | Technique: woodcut, printed in black ink, from three blocks

Gillian Mann (1939–2007)

The thinkers

(1990)

woodcut

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

Sydney Ure Smith (1887–1949)

The three barns.

(1921)

etching

Artist: LINDSAY, Lionel | Title: The three beggars of Guadalupe | Date: 1926 | Technique: etching, printed in warm black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The three beggars of Guadalupe

(1926)

etching

Artist: LINDSAY, Lionel | Title: The three cocks | Date: 1942 | Technique: line-engraving, printed in black ink, from one copper plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The three cocks

(1942)

line-engraving