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WORKS 27541 – 27560 of 32051 IMAGES ONLY
Artist: Lasisi, David. | Title: The moieties | Date: not dated | Technique: screenprint, printed in blue/green ink, from one stencil

David Lasisi (1955–)

The moieties

(not dated)

screenprint

Artist: UNKNOWN | Title: The Molly Marvel show. Everthing you wanted to know about sexism and were afraid to ask. Woman Action Theatre | Date: 1978 | Technique: screenprint, printed in colour, from two stencils

UNKNOWN

The Molly Marvel show. Everthing you wanted to know about sexism and were afraid to ask. Woman Action Theatre

(1978)

screenprint

Artist: LINDSAY, Lionel | Title: The monastery, Guadalupe | Date: 1927 | Technique: drypoint printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The monastery, Guadalupe

(1927)

drypoint printed in brown ink with plate-tone

Artist: Wienholt, Anne. | Title: The monkey | Technique: line-engraving, printed in black ink with plate-tone, from one copper plate

Anne Wienholt (1920–2018)

The monkey

line-engraving

Artist: Adams, Mae. | Title: The monoliths | Date: 1986 | Technique: lithograph, printed in black ink, from one stone | Copyright: © Mae Adams. Licensed by VISCOPY, Australia

Mae Adams (1952–)

The monoliths

(1986)

lithograph

Artist: BOYD, Arthur | Title: The monster. | Date: 1970 | Technique: etching, printed in black ink, from one plate | Copyright: Reproduced with permission of Bundanon Trust

Arthur Boyd (1920–1999)

The monster.

(1970)

etching

Artist: Tulloch, David. | Title: The monster meeting [text] | Date: 1852 | Technique: letterpress, printed in black ink

David Tulloch (1829–1869)

The monster meeting [text]

(1852)

letterpress

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Shead, Garry. | Title: The monument | Date: 1991-94 | Technique: etching and aquatint, printed in blue-black ink, from one plate | Copyright: © Garry Shead

Garry Shead (1942–)

The monument

(1991-94)

etching and aquatint

Artist: Band, David. | Title: The mood that passes through you | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you

(1996)

screenprint

Artist: Band, David. | Title: The mood that passes through you II | Date: 1996 | Technique: screenprint, printed in colour, from one stencil

David Band (1959–2011)

The mood that passes through you II

(1996)

screenprint

Artist: LINDSAY, Lionel | Title: The Moor's gate, Granada | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moor's gate, Granada | The gate of the Moors

(1919)

etching

Artist: LINDSAY, Lionel | Title: The Moorish market, Granada | Date: 1926 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Moorish market, Granada

(1926)

drypoint

Artist: Boynes, Robert. | Title: The morals of money. | Date: 1974 | Technique: screenprint, printed in colour, from multiple stencils

Robert Boynes (1942–)

The morals of money.

(1974)

screenprint

Artist: Harding, Richard. | Title: The morning after the night before | Date: 1991 | Technique: etching, printed in black ink, from one plate

Richard Harding (1959–2025)

The morning after the night before

(1991)

etching

Artist: LINDSAY, Lionel | Title: The Morning star, Toledo | Date: 1938 | Technique: spririt-ground aquatint and burnishing, printed in blue ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Morning star, Toledo

(1938)

spririt-ground aquatint and burnishing

Artist: Owen, Gladys. | Title: The mosque. | Date: 1932 (exhibited) | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

The mosque.

(1932 (exhibited))

wood-engraving

Artist: LINDSAY, Lionel | Title: The Mosque of the Sabres, Kairouan, Tunisia | Date: 1929 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mosque of the Sabres, Kairouan, Tunisia | The Mosque of the domes, Kairouan, Tunisia | The Mosque of the sabres

(1929)

drypoint

Artist: Riese, Tanja. | Title: The motel room | Date: 1987 | Technique: lithograph, printed in black ink, from one stone

Tanja Riese (1965–)

The motel room

(1987)

lithograph