Browse

WORKS 27501 – 27520 of 32051 IMAGES ONLY
Artist: Terry, F.C. | Title: The Maude waltzes [sheet music cover]. | Date: c.1855 | Technique: lithograph, printed in colour, from two stones; touched with pencil

F.C. Terry (1825–1869)

The Maude waltzes [sheet music cover].

(c.1855)

lithograph

Artist: Nicholas, William. | Title: The mayor (T. Broughton). | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one zinc plate

William Nicholas (1807–1854)

The mayor (T. Broughton).

(1847)

pen-lithograph

Artist: Nicholas, William. | Title: The Mayor (T. Broughton) | Date: 1847 | Technique: pen-lithograph, printed in black ink, from one plate

William Nicholas (1807–1854)

The Mayor (T. Broughton)

(1847)

pen-lithograph

Artist: Conder, Charles. | Title: The maypole. | Date: 1905 | Technique: transfer-lithograph, printed in black ink, from one stone

Charles Conder (1868–1909)

The maypole. | The Spirit of May

(1905)

transfer-lithograph

Artist: GRIFFITH, Pamela | Title: The Meadow Argus Butterfly and Kangaroo Paws | Date: 1987 | Technique: hardground-etching and aquatint, printed in colour, from two zinc plates | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Meadow Argus Butterfly and Kangaroo Paws

(1987)

hardground-etching and aquatint

Artist: Ham Brothers. | Title: The mechanic's hall, Melbourne. | Date: 1850 | Technique: engraving, printed in black ink, from one copper plate

Ham Brothers. (1850–1851)

The mechanic's hall, Melbourne.

(1850)

engraving

Artist: FULLWOOD, A.H. | Title: The Medway Valley, Kent. | Date: 1907 | Technique: lithograph, printed in black ink, from one stone

A.H. Fullwood (1863–1930)

The Medway Valley, Kent.

(1907)

lithograph

Artist: Dickerson, Robert. | Title: The meeting | Date: 2000, July | Technique: sugar-lift etching, printed in black ink, from one zinc plate

Robert Dickerson (1924–2015)

The meeting

(2000, July)

sugar-lift etching

Artist: McGrath, Raymond. | Title: The Meeting | Date: 1928 | Technique: wood-engraving, printed in black ink, from one block

Raymond Mcgrath (1903–1977)

"The Meeting"

(1928)

wood-engraving

Artist: AMOR, Rick | Title: The meeting. | Date: 1995 | Technique: screenprint, printed in purple and yellow ink, from two screens

Rick Amor (1948–)

The meeting.

(1995)

screenprint

Artist: HARRALL, G.H. | Title: The Melbourne Exhibition Building. | Date: 1880 | Technique: wood-engraving, printed in black ink, from one block

G.H. Harrall (1880)

The Melbourne Exhibition Building.

(1880)

wood-engraving

Artist: Gill, S.T. | Title: The Melbourne Exhibition Building, northwest angle. | Date: 1854 | Technique: lithograph, printed in black ink, from one stone

S.T. Gill (1818–1880)

The Melbourne Exhibition Building, northwest angle.

(1854)

lithograph

Artist: Storrier, Tim. | Title: The memory - Camp 7 | Date: 1977 | Technique: softground etching, printed in black ink, from one plate | Copyright: © Tim Storrier

Tim Storrier (1949–)

The memory - Camp 7

(1977)

softground etching

Artist: RICHARDSON, Berris | Title: The Metamorphosis of Mrs Morris III (self portrait) | Date: 1974 | Technique: lithograph, printed in black ink, from one stone [or plate]

Berris Richardson (1945–1988)

The Metamorphosis of Mrs Morris III (self portrait)

(1974)

lithograph

Artist: WILLIAMS, Fred | Title: The Metropolitan | Date: 1955 | Technique: etching, aquatint, engraving and flat biting, printed in black ink, from one zinc plate | Copyright: © Fred Williams Estate

Fred Williams (1927–1982)

The Metropolitan

(1955)

etching

Title: The Mewstone, bearing S.E., as seen from the vessel between the rock and the land. | Date: 1831 | Technique: engraving, printed in black ink, from one copper plate

The Mewstone, bearing S.E., as seen from the vessel between the rock and the land.

(1831)

engraving

Artist: Trenfield, Wells. | Title: The Milky Way on the Murray River | Date: 1982, June | Technique: lithograph, printed in colour from multiple stones

Wells Trenfield (1949–)

The Milky Way on the Murray River

(1982, June)

lithograph

Artist: LINDSAY, Lionel | Title: The Mill Bridge, Bridgewater, South Australia | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The Mill Bridge, Bridgewater, South Australia

(1920)

etching

Artist: Garrett, Tom. | Title: (The mill by moonlight) | Date: 1930s | Technique: monotype, printed in colour

Tom Garrett (1879–1952)

(The mill by moonlight)

(1930s)

monotype

Artist: ROSENGRAVE, Harry | Title: The mill stream | Date: 1957 | Technique: linocut, printed in colour, from four blocks

Harry Rosengrave (1899–1986)

The mill stream

(1957)

linocut