Centre for Australian Art

Australian Prints + Printmaking

Search
Explore

About
Resources
Research

Browse

WORKS 26861 – 26880 of 32047 IMAGES ONLY

Sort By:

Results per page:

Artist: Boyd, Hermia. | Title: The dying Sappho. | Date: 1978 | Technique: etching and aquatint

Artist: Dyson, Will. | Title: The dynamo, Hill 60. | Date: 1918 (documentation) | Technique: lithograph, printed in black ink, from one stone

Artist: MEYER, Bill | Title: The Earth, I die | Date: 1970 | Technique: screenprint, printed in nine colours, from hand cut, open screen and photo ortho screen | Copyright: © Bill Meyer

Title: The Eastern Market. | Date: 1864 | Technique: lithograph, printed in colour, from two stones

Artist: Coveny, Christopher. | Title: The Eatanswill Election, the nomination. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Artist: Coveny, Christopher. | Title: The Eatanswill Election, the Procession. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Artist: Coveny, Christopher. | Title: The Eatanswill Election, the stable-yard. | Date: 1882 | Technique: etching, printed in black ink, from one plate

Artist: LINDSAY, Lionel | Title: The edge of the plain, NSW | Date: 1918 | Technique: drypoint, printed in black ink with plate-tone with wiped hightlights, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: UNKNOWN | Title: The eighth National Conference of Lesbians and Homosexual Men: Building the Gay movement | Date: 1982 | Technique: screenprint, printed in colour from two stencils

Artist: Nedelkopoulos, Nicholas. | Title: The elements and the lonely desperation | Date: 1975 | Technique: etching, printed in black ink, from one plate

Artist: White, Sheona. | Title: The Elks. | Date: 1981 | Technique: screenprint, printed in black ink, from one stencil

Artist: J. M. Kronheim & Co. | Title: The emigrants' farewell | Date: 1860 | Technique: wood-engraving and etching, printed in colour inks (Baxter process), from multiple blocks

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Artist: White, Susan Dorothea. | Title: The empty chair | Date: 1980 | Technique: lithograph, printed in colour, from multiple stones [or plates]

Artist: AMOR, Rick | Title: The empty district (imaginary place). | Date: 1996 | Technique: etching, printed in black ink, from one plate

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

Artist: Lightbody, Graham. | Title: The end of environment protection in five acts | Date: 1978 | Technique: screenprint, printed in colour, from two stencils | Copyright: Courtesy Graham Lightbody

Artist: Caffin, Neil. | Title: The end of summer. | Date: 1976 | Technique: etching, printed in red ink, from one plate; hand-coloured

Artist: McDonald, Robyn. | Title: The end of the Joh era. | Date: 1987 | Technique: screenprint, printed in colour, from five stencils

Artist: HANRAHAN, Barbara | Title: The engagement | Date: 1979 | Technique: relief-etching, printed in colour with plate-tone, from two plates

PAGES ← 1 2 3 4 5 6 7 8 9 10 11 →

Search

Simple
Advanced
Browse
- Artists
- Works
- Images
- Exhibitions
- Galleries
- References
- Documents

Join us on Facebook

Follow us on Instagram

Search

Simple
Advanced
Browse

Explore

Works and Networks
Decade Summary
All Artists
Subjects Explorer
Timeline

Resources

Resources
Awards & Grants
Australian Print Symposiums
Cataloguing manual
News
Links

About

About Us
National Gallery of Australia
Gordon Darling Fund
Prints and printmaking: web innovation and excellence
Contact

Research

Printed Images Australia Pacific
Partners

National Gallery of Australia

The National Gallery of Australia is an Australian Government Agency

National Gallery
Privacy statement
Website Disclaimer
Website copyright
Rights, permissions, reproductions

Australian Prints + Printmaking is an access initiative of the Gordon Darling Print Fund. Login