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WORKS 26421 – 26440 of 32133 IMAGES ONLY

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Artist: Huntley, Isabel. | Title: The ball | Date: 1930, June | Technique: etching, printed in warm black ink, from one plate | Copyright: © Estate of Isabel Huntley, Douglas Huntley

Artist: Streeton, Arthur. | Title: The ballroom, Bamorough Castle | Date: (1912) | Technique: lithograph, printed in brown ink, from one stone

Artist: Rees, Lloyd. | Title: The Balmain Buoy | Date: 1978 | Technique: softground etching, printed in blue ink with plate-tone, from one zinc plate | Copyright: © Alan and Jancis Rees

Artist: Spowers, Ethel. | Title: The bamboo blind. | Date: c.1926 | Technique: linocut, printed in colour in the Japanese manner, from multiple blocks

Artist: F.W. Niven [Ballarat Engraving and Printing Office]. | Title: The Band of Hope and Albion Consols, Registered, Ballarat. | Date: 1872 | Technique: lithograph, printed in colour, from multiple stones; albumen silver photograph, and embossing

Artist: UNKNOWN | Title: The Bankruptcy Ball with The Works, Wasted Daze. | Date: 1979 | Technique: screenprint, printed in black ink, from one stencil

Artist: Preston, Margaret. | Title: The Banksia tree. | Date: 1939 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Artist: BALDESSIN, George | Title: The banquet. | Date: 1971 | Technique: etching and aquatint, printed in black ink, from one shaped plate; stencil, printed in pink ink, from three stencils.

Artist: Coventry, Frederick. | Title: The barbaric property wall. | Date: 1929-30 | Technique: engraving, printed in black ink, from one copper plate

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Artist: Lanceley, Colin. | Title: The barber of Seville | Date: 1997, January | Technique: lithograph, printed in colour, from four stones

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Artist: Gruner, Elioth. | Title: The barn. | Date: 1919 | Technique: drypoint, printed in dark brown ink with plate-tone, from one plate

Artist: FULLWOOD, A.H. | Title: The barn. | Date: 1904 | Technique: monotype, printed in colour, from one plate

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

Artist: Glover, Allan. | Title: The Barn, Magill. [matrix] | Date: 1929 | Technique: etched copper plate

Artist: Atkinson, Charles. | Title: The Barracks. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Artist: GRIFFITH, Pamela | Title: The Barracks under restoration | Date: 1981 | Technique: hard ground, aquatint, photo-transfer from Kodalith on one zinc | Copyright: © Pamela Griffith

Artist: PROIOS, Stergios | Title: The barrier is not language: Ford Broadmeadows 1973 | Date: (1985) | Technique: screenprint, printed in colour, from multiple stencils

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