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WORKS 26361 – 26380 of 32051 IMAGES ONLY
Artist: Proctor, Thea. | Title: The balcony. | Date: c.1919 | Technique: lithograph, printed in colour, from four stones | Copyright: © Art Gallery of New South Wales

Thea Proctor (1879–1966)

The balcony.

(c.1919)

lithograph

Artist: Newberry, Angela. | Title: The balcony. | Date: 1997 | Technique: screenprint, printed in colour, from eleven stencils

Angela Newberry (1934–)

The balcony.

(1997)

screenprint

Artist: Huntley, Isabel. | Title: The ball | Date: 1930, June | Technique: etching, printed in warm black ink, from one plate | Copyright: © Estate of Isabel Huntley, Douglas Huntley

Isabel Huntley (1900–1982)

The ball

(1930, June)

etching

Artist: Streeton, Arthur. | Title: The ballroom, Bamorough Castle | Date: (1912) | Technique: lithograph, printed in brown ink, from one stone

Arthur Streeton (1867–1943)

The ballroom, Bamorough Castle | The concert | The rehearsal

((1912))

lithograph

Artist: Rees, Lloyd. | Title: The Balmain Buoy | Date: 1978 | Technique: softground etching, printed in blue ink with plate-tone, from one zinc plate | Copyright: © Alan and Jancis Rees

Lloyd Rees (1895–1988)

The Balmain Buoy

(1978)

softground etching

Artist: Spowers, Ethel. | Title: The bamboo blind. | Date: c.1926 | Technique: linocut, printed in colour in the Japanese manner, from multiple blocks

Ethel Spowers (1890–1947)

The bamboo blind.

(c.1926)

linocut

Artist: F.W. Niven [Ballarat Engraving and Printing Office]. | Title: The Band of Hope and Albion Consols, Registered, Ballarat. | Date: 1872 | Technique: lithograph, printed in colour, from multiple stones; albumen silver photograph, and embossing

F.W. Niven [Ballarat Engraving and Printing Office]. (1865–1888)

The Band of Hope and Albion Consols, Registered, Ballarat.

(1872)

lithograph

Artist: UNKNOWN | Title: The Bankruptcy Ball with The Works, Wasted Daze. | Date: 1979 | Technique: screenprint, printed in black ink, from one stencil

UNKNOWN

The Bankruptcy Ball with The Works, Wasted Daze.

(1979)

screenprint

Artist: Preston, Margaret. | Title: The Banksia tree. | Date: 1939 | Technique: woodcut, printed in black ink, from one block; hand-coloured | Copyright: © Margaret Preston. Licensed by VISCOPY, Australia

Margaret Preston (1875–1963)

The Banksia tree. | Old banksia tree

(1939)

woodcut

Artist: BALDESSIN, George | Title: The banquet. | Date: 1971 | Technique: etching and aquatint, printed in black ink, from one shaped plate; stencil, printed in pink ink, from three stencils.

George Baldessin (1939–1978)

The banquet.

(1971)

etching and aquatint

Artist: Coventry, Frederick. | Title: The barbaric property wall. | Date: 1929-30 | Technique: engraving, printed in black ink, from one copper plate

Frederick Coventry (1905–1997)

The barbaric property wall.

(1929-30)

engraving

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

The barber of Bou-Saada, Algeria

(1929)

etching

Artist: Lanceley, Colin. | Title: The barber of Seville | Date: 1997, January | Technique: lithograph, printed in colour, from four stones

Colin Lanceley (1938–2015)

The barber of Seville

(1997, January)

lithograph

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Colin Little (1952–1982)

The bark: Buses leave for Nimbin.

(1973)

screenprint

Artist: LITTLE, Colin | Title: The bark: Buses leave for Nimbin. | Date: 1973 | Technique: screenprint, printed in colour, from four stencils

Colin Little (1952–1982)

The bark: Buses leave for Nimbin.

(1973)

screenprint

Artist: Gruner, Elioth. | Title: The barn. | Date: 1919 | Technique: drypoint, printed in dark brown ink with plate-tone, from one plate

Elioth Gruner (1882–1939)

The barn.

(1919)

drypoint

Artist: FULLWOOD, A.H. | Title: The barn. | Date: 1904 | Technique: monotype, printed in colour, from one plate

A.H. Fullwood (1863–1930)

The barn.

(1904)

monotype

Artist: Glover, Allan. | Title: The Barn, Magill | Date: 1929 | Technique: etching, printed in brown ink with plate-tone, from one plate

Allan Glover (1900–1984)

The Barn, Magill

(1929)

etching

Artist: Atkinson, Charles. | Title: The Barracks. | Date: 1833 | Technique: lithograph, printed in black ink, from one stone

Charles Atkinson (1806–1837)

The Barracks.

(1833)

lithograph

Artist: GRIFFITH, Pamela | Title: The Barracks under restoration | Date: 1981 | Technique: hard ground, aquatint, photo-transfer from Kodalith on one zinc | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

The Barracks under restoration

(1981)

hard ground