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Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale
(1993-98)
stencil print
Bea Maddock (1934–2016)
Terra Spiritus...with a darker shade of pale. A circumlittoral incised drawing of the entire coastline of Tasmania, worked with hand-ground local ochre over letterpress and finished with hand-drawn script.
(1993-98)
stencil print
Mary Macqueen (1912–1994)
Terrace in Napier Street
(c.1957)
lithograph
Mary Macqueen (1912–1994)
Terrace, East Melbourne
| Terrace in East Melbourne
(1956)
lithograph
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