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WORKS 23021 – 23040 of 32051 IMAGES ONLY
Artist: Upward, Peter. | Title: Sadewa's servants are frightened by the presence of evil spirits | Date: 1974 | Technique: screenprint, printed in colour, from ten stencils

Peter Upward (1932–1983)

Sadewa's servants are frightened by the presence of evil spirits

(1974)

screenprint

Artist: Harbeck, Ron. | Title: Safe harbour. | Date: 1989 | Technique: screenprint, printed in colour, from ten stencils

Ron Harbeck (1989–)

Safe harbour.

(1989)

screenprint

Artist: McDiarmid, David. | Title: Safe Sex Ball | Date: 1988 | Technique: screenprint, printed in black ink, from one stencil

David Mcdiarmid (1952–1995)

Safe Sex Ball

(1988)

screenprint

Artist: McDiarmid, David. | Title: Safe Sex Ball | Date: 1988 | Technique: screenprint, printed in black ink, from one stencil

David Mcdiarmid (1952–1995)

Safe Sex Ball

(1988)

screenprint

Artist: ACCESS 12 | Title: Safe sex is an art so don't call me a tart | Date: 1992, November | Technique: screenprint, printed in pink, yellow and black ink, from three stencils

ACCESS 12

Safe sex is an art so don't call me a tart

(1992, November)

screenprint

Artist: UNKNOWN, WORKER ARTISTS, SYDNEY, NSW | Title: Saga! | Date: 1933 | Technique: linocut, printed in colour, from two blocks (black and red)

WORKER ARTISTS Unknown (1933–)

Saga!

(1933)

linocut

Artist: UNKNOWN, WORKER ARTISTS, SYDNEY, NSW | Title: Saga! A protest in linocuts. | Date: 1933 | Technique: linocuts, printed in colour, from multiple blocks

WORKER ARTISTS Unknown (1933–)

Saga! A protest in linocuts.

(1933)

linocuts

Artist: LINDSAY, Lionel | Title: Sagrario of the Cathedral, Malaga | Date: 1937 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Sagrario of the Cathedral, Malaga | At the Bishop's Palace | The Parroquia del Sagrario

(1937)

drypoint

Artist: Durrant, Ivan. | Title: Saigon | Date: 1990 | Technique: screenprint, printed in black ink, from one photo-stencil

Ivan Durrant (1947–)

Saigon

(1990)

screenprint

Artist: TRUNG | Title: Saigon | Date: 1977 | Technique: screenprint, printed in colour, from three stencils

TRUNG

Saigon

(1977)

screenprint

Artist: Geach, Portia. | Title: (Sailing barge on the Thames) | Date: c.1898 | Technique: etching, printed in black ink, from one plate | Copyright: With permission from Trust Company Limited, Trustee for the Portia Geach Memorial Fund

Portia Geach (1873–1959)

(Sailing barge on the Thames)

(c.1898)

etching

Artist: Doggett-Williams, Phillip. | Title: Sailor ascending into heaven. | Date: 1985 | Technique: lithograph, printed in black ink, from one stone [or plate]

Phillip Doggett-Williams (1953–)

Sailor ascending into heaven.

(1985)

lithograph

Artist: Lindsay, Norman. | Title: (Sailors & Wenches) | Date: (1898) | Technique: woodcut, printed in black ink, from one block

Norman Lindsay (1879–1969)

(Sailors & Wenches)

((1898))

woodcut

Artist: MACQUEEN, Mary | Title: Sails | Date: 1971 | Technique: lithograph, printed in colour, from multiple plates | Copyright: Courtesy Paulette Calhoun, for the estate of Mary Macqueen

Mary Macqueen (1912–1994)

Sails

(1971)

lithograph

Title: Saint Andrews Cathedral | Date: c.1850 | Technique: etching, printed in black ink, from one plate

Saint Andrews Cathedral

(c.1850)

etching

Artist: GRIFFITH, Pamela | Title: Saint Ignatius College, Riverview | Date: 1984 | Technique: hardground-etching and aquatint, printed in brown ink, from one copper plate | Copyright: © Pamela Griffith

Pamela Griffith (1943–)

Saint Ignatius College, Riverview

(1984)

hardground-etching and aquatint

Artist: McDonald, Sheila. | Title: Saint Mark's, Darling Point | Date: c.1931 | Technique: etching, aquatint printed in brown ink with plate-tone

Sheila Mcdonald (1902–1971)

Saint Mark's, Darling Point

(c.1931)

etching

Artist: Ransome, Richard | Title: Saint Mary's Cathedral, Sydney. | Date: c.1858 | Technique: engraving, printed in black ink, from one copper plate

Richard Ransome (1858–)

Saint Mary's Cathedral, Sydney.

(c.1858)

engraving

Artist: McDonald, Sheila. | Title: Saint Michael's Church, Vaucluse | Date: c.1932 | Technique: etching, aquatint printed with plate-tone

Sheila Mcdonald (1902–1971)

Saint Michael's Church, Vaucluse

(c.1932)

etching

Artist: Mather, John. | Title: Saint Patrick's spire | Date: 1896 | Technique: etching, printed in warm black ink with plate-tone, from one plate

John Mather (1848–1916)

Saint Patrick's spire

(1896)

etching