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WORKS 20501 – 20520 of 32051 IMAGES ONLY
Artist: MADDOCK, Bea | Title: Passing the glass darkly | Date: 1976, June | Technique: photo-etching, aquatint, etching and engraving, printed in black ink, from one plate

Bea Maddock (1934–2016)

Passing the glass darkly

(1976, June)

photo-etching

Artist: Trenfield, Wells. | Title: Passing through Pinarroo | Date: 1985 | Technique: lithograph, printed in deep red ink, from one stone

Wells Trenfield (1949–)

Passing through Pinarroo

(1985)

lithograph

Artist: Carstairs, Carol. | Title: Passing time II | Date: 1999, November | Technique: etching, aquatint, scraping and burnishing, printed in blue ink, from one plate

Carol Carstairs (1959–2020)

Passing time II

(1999, November)

etching

Artist: HANRAHAN, Barbara | Title: Passion | Date: 1989 | Technique: etching, printed in black ink with plate-tone, from five plates

Barbara Hanrahan (1939–1991)

Passion

(1989)

etching

Artist: Hawkins, Weaver. | Title: Passion | Date: 1961 | Technique: linocut, printed in black ink, from one block | Copyright: The Estate of H.F Weaver Hawkins

Weaver Hawkins (1893–1977)

Passion

(1961)

linocut

Artist: HANRAHAN, Barbara | Title: Passion house | Date: 1983 | Technique: etching and drypoint, printed in black ink with plate-tone, from one plate

Barbara Hanrahan (1939–1991)

Passion house

(1983)

etching and drypoint

Artist: Baira, Fred William. | Title: Past and the present. | Date: 1997 | Technique: linocut, printed in black ink, from one block; hand coloured a la coupe [wet on wet technique] | Copyright: © Frederick William Baira

Fred William Baira (1954–)

Past and the present.

(1997)

linocut

Title: Pastels 1 | Date: 1979 | Technique: drypoint, printed in black ink, from one perspex plate

Pastels 1

(1979)

drypoint

Title: Pastels 2 | Date: 1979 | Technique: drypoint, printed in black ink, from one perspex plate, hand-coloured in brown wash

Pastels 2

(1979)

drypoint

Artist: Newmarch, Ann. | Title: Pastor Martin Niemoller | Date: c.1980 | Technique: screenprint, printed in black ink, from one stencil

Ann Newmarch (1945–2022)

Pastor Martin Niemoller

(c.1980)

screenprint

Artist: LINDSAY, Lionel | Title: Pastoral | Date: 1924 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Pastoral

(1924)

drypoint

Artist: Lunn, Wendy. | Title: Pastoral | Date: 1986 | Technique: aquatint and etching, printed in green ink with plate-tone, from one plate

Wendy Lunn (1986–)

Pastoral

(1986)

aquatint and etching

Artist: LINDSAY, Lionel | Title: Pastoral | Date: 1918 | Technique: softground-etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Pastoral

(1918)

softground-etching and aquatint

Artist: LINDSAY, Lionel | Title: Pastoral | Date: 1918 | Technique: softground-etching, and aquatint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Pastoral

(1918)

softground-etching

Artist: Long, Sydney. | Title: Pastoral aquatint | Date: 1921 | Technique: drypoint, aquatint printted in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pastoral aquatint

(1921)

drypoint

Artist: MACQUEEN, Mary | Title: Pastoral landscape. | Date: 1990, March-August | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: Courtesy Paulette Calhoun, for the estate of Mary Macqueen

Mary Macqueen (1912–1994)

Pastoral landscape.

(1990, March-August)

lithograph

Artist: Long, Sydney. | Title: Pastoral landscape | Date: 1928, after | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pastoral landscape

(1928, after)

line-etching and drypoint

Artist: Long, Sydney. | Title: Pastoral sandgrain | Date: 1918 | Technique: aquatint, sandgrain etching from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pastoral sandgrain

(1918)

aquatint

Artist: Long, Sydney. | Title: Pastoral softground | Date: 1918 | Technique: softground-etching, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pastoral softground | Sofground Pastoral

(1918)

softground-etching

Artist: BUNNY, Rupert | Title: Pastorale | Date: 1920 | Technique: monotype, printed in colour, from one zinc plate

Rupert Bunny (1864–1947)

Pastorale

(1920)

monotype