Education Department Gallery

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(1913 – c.1964)

Exhibition venue. Located: Australia (NSW).

WORKS 141 – 160 of 292 IMAGES ONLY
Artist: LONG, Sydney | Title: Pan | Date: 1919 | Technique: line-etching and aquatint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Pan

(1919)

line-etching and aquatint

Artist: LINDSAY, Lionel | Title: Pastoral | Date: 1918 | Technique: softground-etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Pastoral

(1918)

softground-etching and aquatint

Artist: Blackburn, Vera. | Title: Pattern. | Date: 1936, August | Technique: linocut, printed in black ink, from one block | Copyright: © Vera Blackburn

Vera Blackburn (1911–1991)

Pattern.

(1936, August)

linocut

Artist: LINDSAY, Lionel | Title: Peewit | Date: 1916 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Peewit

(1916)

etching

Artist: LINDSAY, Lionel | Title: Pelicans | Date: 1938 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Pelicans

(1938)

wood-engraving

Artist: Warner, Alfred Edward. | Title: Pengilley's wool wagon | Date: 1922 | Technique: etching, printed in black ink with plate-tone, from one plate

Alfred Edward Warner (1879–1968)

Pengilley's wool wagon

(1922)

etching

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

John Goodchild (1898–1980)

Piccadilly Circus (under Reconstruction)

(1927)

etching

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Polar Bear

(1931)

wood-engraving

Artist: MORT, Eirene | Title: Pont de Sucre, Bruges | Date: 1912 | Technique: etching, printed in black ink, from one plate

Eirene Mort (1879–1977)

Pont de Sucre, Bruges

(1912)

etching

Artist: Ashton, Will. | Title: Ponte Vecchio, Florence | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

Will Ashton (1881–1963)

Ponte Vecchio, Florence

(c.1930)

etching

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Porte Marechale, Bruges

(c.1919)

line-etching

Artist: LINDSAY, Lionel | Title: Portico, Old Education Department Sydney | Date: 1918 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Portico, Old Education Department Sydney

(1918)

etching

Artist: LINDSAY, Lionel | Title: Prince Albert's Curassow | Date: 1935 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Prince Albert's Curassow

(1935)

wood-engraving

Artist: LINDSAY, Lionel | Title: Red Gums | Date: 1922 | Technique: mezzotint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Red Gums

(1922)

mezzotint

Artist: LONG, Sydney | Title: Reflections, Avoca | Date: (1928) | Technique: line-etching, printed in brown ink from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

Sydney Long (1871–1955)

Reflections, Avoca

((1928))

line-etching

Artist: LINDSAY, Lionel | Title: Repose | Date: 1934 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Repose | The peacocks

(1934)

wood-engraving

Artist: ROBERTSON, Bruce | Title: Roadside trees | Date: (1931) | Technique: etching, printed in black ink with plate-tone, from one plate

Bruce Robertson (1872–1943)

Roadside trees

((1931))

etching

Artist: LINDSAY, Lionel | Title: Rocks Resumption, with St. Philip's Church | Date: 1917 | Technique: etching and drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Rocks Resumption, with St. Philip's Church

(1917)

etching and drypoint

Artist: LINDSAY, Lionel | Title: Royal Hotel stables, Windsor, NSW | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Lionel Lindsay (1874–1961)

Royal Hotel stables, Windsor, NSW

(1919)

etching

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

Bruce Robertson (1872–1943)

Rue de l'Cordonnerie, Dinan, France

(c.1930)

etching