Title

Albrecht Dürer’s Material Renaissance.

Venues

Arts West Gallery. (22 July 2024 – 29 November 2024)

Date

(2024)

Summary

single-artist exhibition. Located: Australia (VIC). Prints, Book arts

Curator

Spinks, Jenny; Champion, Mathew; Gilmore-Kuziow, Shannon; Zika, Charles.

Web address

https://arts.unimelb.edu.au/about/arts-west-galle…

Country of context

Australia

Abstract

Albrecht Dürer (1471-1528) shaped the German Renaissance with his unforgettable images. He travelled widely, but belonged to a vibrant network of artists and craftspeople in Nuremberg, a key trading city in the Holy Roman Empire and a centre for religious and intellectual life. Book and print production developed there from the late fifteenth century alongside constant innovation in the city’s craft and manufacturing trades. Dürer first trained as a goldsmith. When he turned to making visual art, his metalworking skills helped him to push printmaking techniques – for engravings, etchings and woodcuts – to new levels of detail and inventiveness, dazzling his contemporaries.

Dürer’s interest in the natural world has long been acknowledged, but his fascination with manufactured and designed objects forms a vibrant and newer area of research. Depictions of contemporary cloth and clothing, featherwork, armour, precious metal vessels, measuring instruments, liturgical objects, hourglasses, and books – all objects made in Nuremberg – form part of the ‘material Renaissance’ that is a hallmark of his work and a feature of early print culture.

With over ninety items from the University’s Special Collections and the State Library Victoria, exhibits include Dürer’s Melencolia I engraving, a leaf from the Gutenberg Bible, and some of the most important books and prints of this period, including the famous 1493 Nuremberg Chronicle and Dürer’s own Treatise on Measurement.

[University of Melbourne media, 2024].

Last Updated

04 Sep 2024