Browse: H

WORKS 181 – 200 of 995 IMAGES ONLY
Artist: Stockfeld, R.H. | Title: Haysheds | Date: c.1935 | Technique: engraving, printed in sepia ink, from one plate

R.H. Stockfeld (1869–1942)

Haysheds

(c.1935)

engraving

Artist: Owen, Gladys. | Title: (Haystack) | Date: 1937 | Technique: wood-engraving, printed in black ink, from one block | Copyright: © Estate of David Moore

Gladys Owen (1889–1960)

(Haystack)

(1937)

wood-engraving

Artist: Boyd, Penleigh. | Title: (Haystack). | Date: c.1921 | Technique: drypoint, printed in warm brown ink, from one plate

Penleigh Boyd (1890–1923)

(Haystack).

(c.1921)

drypoint

Artist: Herbert, Harold. | Title: Haystacks | Date: c.1928 | Technique: etching, printed in black ink, from one plate

Harold Herbert (1891–1945)

Haystacks

(c.1928)

etching

Artist: Killen, Virginia. | Title: Hazards [for printmakers] | Date: 1982 | Technique: screenprint, printed in colour, from multiple stencils

Virginia Killen (1980–)

Hazards [for printmakers]

(1982)

screenprint

Artist: REDLETTER PRESS | Title: Hazchem House | Technique: screenprint, printed in colour, from four stencils

REDLETTER PRESS (1979–1991)

Hazchem House

screenprint

Artist: Sharp, James. | Title: Haze | Date: 1972 | Technique: lithograph, printed in colour, from multiple stones [or plates] | Copyright: © Estate of James Sharp

James Sharp (1905–1985)

Haze

(1972)

lithograph

Artist: Brash, Barbara. | Title: Haze.. | Date: c.1980s | Technique: screenprint, printed in colour, from multiple screens

Barbara Brash (1925–1998)

Haze..

(c.1980s)

screenprint

Title: Haze II | Technique: screenprint, printed in colour, from multiple stencils

Haze II

screenprint

Artist: Wright, Helen. | Title: (Hazy blue flower with white specks) | Date: 2000 | Technique: digital print, printed in colour, from digital file

Helen Wright (1956–)

(Hazy blue flower with white specks)

(2000)

digital print

Artist: Binns, Vivienne. | Title: HCTC Environment | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Vivienne Binns

Vivienne Binns (1940–)

HCTC Environment

screenprint

Artist: Burns, Tim. | Title: HCTC Environment | Technique: screenprint, printed in colour, from multiple stencils | Copyright: © Vivienne Binns

Tim Burns (1947–)

HCTC Environment

screenprint

Artist: Storrier, Tim. | Title: He always loved Caruso | Date: 1994 | Technique: lithograph, printed in colour, from four stones [or plates] | Copyright: © Tim Storrier

Tim Storrier (1949–)

He always loved Caruso

(1994)

lithograph

Title: He at length settles down and becomes a truly happy man | Date: 1854 | Technique: pen-lithograph, printed in black ink, from one stone

He at length settles down and becomes a truly happy man

(1854)

pen-lithograph

Artist: REDLETTER PRESS | Title: he Greenhouse Effect | Technique: screenprint, printed in colour, from four stencils

REDLETTER PRESS (1979–1991)

he Greenhouse Effect

screenprint

Artist: HANRAHAN, Barbara | Title: He is coming | Date: 1975 | Technique: etching, printed in colour from one plate

Barbara Hanrahan (1939–1991)

He is coming

(1975)

etching

Artist: Heyes, Ken. | Title: '-He is thirty five-with dark curly hair over a high forehead, moustache over a full lower lip: youthfull, almost handsome. With his head lowered, his jacketed shoulders seem to start behind his ears'. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

'-He is thirty five-with dark curly hair over a high forehead, moustache over a full lower lip: youthfull, almost handsome. With his head lowered, his jacketed shoulders seem to start behind his ears'.

(1984)

photocopy

Artist: LITTLE, Colin | Title: He lies and he knows he lies | Date: 1981 | Technique: screenprint, printed in colour, from two stencils

Colin Little (1952–1982)

He lies and he knows he lies

(1981)

screenprint

Artist: Heyes, Ken. | Title: he sits in the right foreground, probably taking notes. He is consulting a volume he holds open on the table with his left hand - his eyes can't be seen - looking, as it were, into the lower right edge of the photograph. | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

he sits in the right foreground, probably taking notes. He is consulting a volume he holds open on the table with his left hand - his eyes can't be seen - looking, as it were, into the lower right edge of the photograph.

(1984)

photocopy

Artist: Heyes, Ken. | Title: He thought of himself as a melancholic, disdaining modern psychological labels and invoking the traditional astrological one: 'I came into the world under the sign of Saturn-the star of slowest revolution, the planet of ...' | Date: 1984 | Technique: photocopy

Ken Heyes (1952–)

He thought of himself as a melancholic, disdaining modern psychological labels and invoking the traditional astrological one: 'I came into the world under the sign of Saturn-the star of slowest revolution, the planet of ...'

(1984)

photocopy