Oblation.

Norman Lindsay (1879–1969)

Oblation.

(1920)

EXHIBITION HISTORY 1 – 6 of 6 exhibitions

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The Australian Painter-Etchers' Society. Catalogue of the First Melbourne Exhibition.

Venues

Decoration Art Gallery (7 November 1921 – 26 November 1921)
289 Collins St., Melbourne, Victoria, Australia

Works

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Tinsmith's shop, King Street, Sydney | Date: 1921 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The Tinsmith's shop, King Street, Sydney £2.02.0 (framed); £0.05.6 (frame) | edition of 50

The Travelling Shearer. £2.02.0 (framed); £0.05.6 (Unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: Bulls on the bridge, Andalucia, Spain | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Bulls on the bridge, Andalucia, Spain £2.12.6 (unframed); £0.06.0 (frame) | edition of 50 | 20 for sale

Artist: LINDSAY, Lionel | Title: The Sundowner | Date: 1921 | Technique: aquatint and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

The Sundowner £2.02.0 (framed); £0.06.0 (Unframed) | edition of 50 | 20 for sale

Artist: LINDSAY, Lionel | Title: The guitar player | Date: 1920 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

The guitar player £3.03.0 (unframed); £0.06.0 (frame) | edition of 50

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Gamecocks, Spain £6.06.0 (framed); £0.06.0 (Unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: Officers quarters, Kent Street | Date: 1912 | Technique: etching and drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

Officers quarters, Kent Street £3.03.0 (unframed); £0.06.0 (frame)

Ferry Lane. £2.02.0 (framed); £0.05.6 (Unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: Old carriage way, Cumberland Street | Date: 1920 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

Old carriage way, Cumberland Street £2.12.6 (unframed); £0.06.6 (frame) | edition of 50 | 10 for sale

Artist: LINDSAY, Lionel | Title: Edge of the world. | Date: 1907 | Technique: etching, aquatint and burnishing, printed in warm black ink, from one plate | Copyright: Courtesy of the National Library of Australia

10. Edge of the world. £8.08.0 (framed); £0.06.6 (Unframed) | edition of 30

11. Cordova. £2.02.0 (framed); £0.06.0 (Unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: The Sacred Grove | Date: 1921 | Technique: spirit-aquatint, etching and burnishing, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

12. The Sacred Grove £3.03.0 (framed); £0.06.6 (frame) | edition of 40

Artist: LINDSAY, Lionel | Title: Desolation | Date: 1919 | Technique: spirit-aquatint with burnished hightlights, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

13. Desolation £2.12.6 (framed); £0.06.6 (Unframed) | edition of 50

14. Terrace by the sea. £3.03.0 (unframed); £0.06.0 (frame) | edition of 50

Artist: LINDSAY, Lionel | Title: The Moor's gate, Granada | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

15. The Moor's gate, Granada £2.02.0 (framed); £0.05.6 (Unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: The Canon's niece, Spain | Date: 1919 | Technique: drypoint, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

16. The Canon's niece, Spain £3.03.0 (framed); £0.07.0 (Unframed) | edition of 30 | drypoint

17. The Drover D.P -. £3.03.0 | edition of 30

18. The Boundary Rider's Hut D.P -. £3.03.0 | edition of 30

Artist: LINDSAY, Lionel | Title: Cottage idyll, Ambleside, South Australia | Date: 1922 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

19. Cottage idyll, Ambleside, South Australia £1.11.6 | edition of 50

Artist: LINDSAY, Lionel | Title: The satyr's pool | Date: 1917 | Technique: etching and spirit-aquatint, printed in blrown ink, from one plate | Copyright: Courtesy of the National Library of Australia

20. The satyr's pool £2.02.0 (framed); £0.06.0 (frame) | edition of 10

21. Phillip's Church. £4.04.0 (unframed); £0.07.0 (frame) | edition of 10

Artist: LINDSAY, Lionel | Title: Henry Lawson | Date: 1919 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

22. Henry Lawson £6.06.0 (unframed); £0.07.6 (frame) | edition of 50 | drypoint

Artist: LINDSAY, Lionel | Title: The Gypsy dance | Date: 1919 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

23. The Gypsy dance £2.12.6 (framed); £0.07.0 (Unframed) | edition of 50

Artist: LINDSAY, Lionel | Title: The pumpkin patch, Windsor | Date: 1921 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

24. The pumpkin patch, Windsor £4.04.0 (unframed); £0.07.6 (frame) | edition of 30 | 10 for sale | drypoint

25. The Great Pear Tree. £2.02.0 (framed); £0.05.6 (Unframed) | edition of 50

Barker, David. (1888–1946)

26. In the stubble. £1.11.6 (unframed); £0.07.6 (frame) | edition of 20 | 14 for sale

27. The clock tower, Jaffa. £1.11.6 (framed); £0.07.6 (Unframed) | edition of 50 | 16 for sale

28. The Hill, Mosman. £2.02.0 (framed); £0.06.6 (Unframed) | edition of 25 | 20 for sale

29. Toolum Mosque, Cairo. £4.04.0 (framed); £0.06.6 (Unframed) | edition of 20

Arndt, Mina. (1885–1926)

30. Cornishman. New Zealand | not for sale

MORT, Eirene (1879–1977)

31. The sentinel. £3.03.0 (framed); £0.09.6 (Unframed) | edition of 35 | 30 for sale

32. A bush home. £1.01.0 (framed); £0.05.6 (Unframed) | edition of 50 | 15 for sale

33. The hospital, Port Arthur. £1.11.6 (framed); £0.05.0 (Unframed) | edition of 50

34. The sawmill. £1.11.6 (unframed); £0.06.0 (frame) | edition of 50

35. Quai Vert, Bruges. £2.02.0 (framed); £0.06.0 (Unframed) | edition of 50

35a. Court House and Cells, Hartley. £2.02.0 (framed); £0.06.6 (Unframed) | edition of 10

36. The duck pond. £2.02.0 (framed); £0.06.6 (Unframed) | edition of 50 | 10 for sale

37. The slip rails. £1.01.0 (framed); £0.05.6 (frame) | edition of 50 | 10 for sale

van RAALTE, Henri (1881–1929)

38. After the Bath. £6.16.6 (unframed); £0.07.6 (frame) | edition of 20 | drypoint

RICHARDSON, Linley, H. (1878–1947)

39. A summer's day, Wellington, N.Z. £6.16.6 (unframed); £0.08.6 (frame) | drypoint

40. On the beach. £6.16.6 (unframed); £0.08.6 (frame) | edition of 20 | drypoint

van RAALTE, Henri (1881–1929)

41. Through the Karri -. £26.05.0 (framed); £0.15.6 (Unframed)

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

42. Tuarts of the South-West. £31.10.0 (framed) | edition of 31 | drypoint

43. The swamp. £7.07.0 (unframed); £0.12.6 (frame) | edition of 30

44. Sheep and shadows. £5.05.0 (unframed); £0.10.6 (frame) | edition of 30 | drypoint

Artist: van RAALTE, Henri | Title: Smoke and water | Date: c.1918 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

45. Smoke and water £5.05.0 (unframed); £0.09.0 (frame) | edition of 12 | drypoint

46. Banks of the Blackwood. £31.10.0 (framed); £1.01.0 (frame) | edition of 20

Artist: van RAALTE, Henri | Title: The shell. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

47. The shell. £12.12.0 (unframed); £0.12.6 (frame) | edition of 40 | drypoint

48. The old boat, Fremantle Bridge. £4.04.0 (unframed); £0.08.0 (frame) | edition of 13 | drypoint

49. A corner of old Delft. £4.04.0 (unframed); £0.08.0 (frame) | edition of 13

49. Winter light. £6.06.0 (unframed); £0.10.6 (frame) | edition of 20 | drypoint

49a. The gap thro' the trees. £4.04.0 (framed); £0.07.0 (frame) | edition of 41

49b. The Farmhouse, Balingup. £4.o4.0 (framed); £0.08.6 (unframed) | edition of 41

49c. Midday. £2.12.6 (unframed); £0.07.6 (frame) | edition of 30

49e. Circular Quay. £6.06.0 (framed); £0.12.6 (Unframed) | edition of 26

Wallwork, Richard. (1882–1955)

50. The trio. £2.12.6 (framed); £0.08.0 (Unframed) | edition of 25

51. Peace Offering. £3.13.6 (unframed); £0.08.6 (frame) | edition of 90

TRAILL, Jessie (1881–1967)

52. Scaffolding, London (The Victorian Government Offices, Strand, in the building). £3.13.6 (framed); £0.10.6 (Unframed) | edition of 10

53. T-Tree Frieze (3 panels). £5.05.0 (framed); £0.10.6 (Unframed)

54. Bush Track. £3.03.0 (framed); £0.10.6 (Unframed) | edition of 40 | 19 for sale

55. Beautiful Victims. £8.08.0 (framed); £0.10.6 (Unframed) | edition of 10

56. Lace Work of the Woods. £4.04.0 (framed); £0.10.6 (Unframed) | edition of 10

Artist: TRAILL, Jessie | Title: Hole in the trees | Date: c.1920 | Technique: etching and aquatint, printed in brown ink, from one zinc plate

57. Hole in the trees £5.05.0 (framed); £0.10.6 (Unframed) | edition of 10

58. Queen and her Satellites. £2.02.0 (unframed); £0.10.6 (frame) | edition of 30

Artist: TRAILL, Jessie | Title: Japanese Mount Warning, Tweed River, NSW. | Date: 1921 | Technique: etching and aquatint, printed in black ink with plate-tone and wiped highlights, from one plate

59. Japanese Mount Warning, Tweed River, NSW. £4.04.0 (unframed); £0.10.6 (frame)

Artist: TRAILL, Jessie | Title: The jewel necklace, Bland River and Lake Cowal, NSW | Date: 1920 | Technique: etching and aquatint, printed in black ink with plate-tone and wiped highlights, from one plate

60. The jewel necklace, Bland River and Lake Cowal, NSW £5.05.0 (framed); £0.10.6 (Unframed) | edition of 10

61. Stars of Heaven and Earth, Sydney Harbour. £2.02.0 (framed); £0.10.6 (Unframed) | edition of 10

Artist: TRAILL, Jessie | Title: Friendly trees | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

62. Friendly trees £5.05.0 (framed); £0.10.6 (Unframed) | edition of 25

63. The fairy ring. £6.06.0 (unframed); £0.10.6 (frame) | edition of 15

64. Time of Vespers (Nature's Cathedral and Man's Copy). £4.04.0 (framed); £0.10.6 (Unframed) | edition of 25

Artist: TRAILL, Jessie | Title: Melbourne from Richmond Paddock | Date: 1914 | Technique: aquatint and drypoint, printed in brown ink with plate-tone, from one plate

65. Melbourne from Richmond Paddock £2.02.0 (unframe); £0.10.6 (frame) | edition of 25 | 14 for sale

66. Ploughing the hill, Berwick. £2.02.0 (unframed); £0.10.6 (frame) | edition of 30

Hope, Edith A. (1870–1942)

67. Carcassone. £0.10.6 (framed); £5.05.0 (Unframed)

68. In dock. £5.05.0 (unframed); £0.10.6 (frame)

69. Venetian boat yard. £0.10.6 (framed); £6.06.0 (Unframed)

LINDSAY, Norman (1879–1969)

Artist: LINDSAY, Norman | Title: From the moon | Date: 1920 | Technique: etching, aquatint and stipple, printed in black ink, from one copper plate; hand-coloured (by the artist?)

70. From the moon £10.10.0 (framed); £0.12.6 (Unframed) | edition of 40

71. Imperia. £7.07.0 (framed); £0.08.6 (Unframed) | edition of 50

72. Lesbia. £5.05.0 (unframed); £0.08.0 (frame) | edition of 50

73. Whispers. £4.04.0 (framed); £0.07.0 (Unframed) | edition of 50

74. Toilet. £5.05.0 (unframed); £0.07.0 (frame) | edition of 50

75. The ring. £4.04.0 (unframed); £0.06.6 (frame) | edition of 50

76. Oblation. £5.05.0 (framed); £0.07.6 (Unframed) | edition of 45

Artist: LINDSAY, Norman | Title: Madam mystery. | Date: 1920 | Technique: etching, printed in black ink, from one plate

77. Madam mystery. £12.12.0 (framed); £0.10.6 (Unframed) | edition of 50

Artist: LINDSAY, Norman | Title: Good morning | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

78. Good morning £15.15.0 (unframed); £0.10.6 (frame) | edition of 50

79. Virginity £15.15.0 (framed); £0.15.0 (Unframed) | edition of 50

80. Siesta. £6.06.0 (framed); £0.07.6 (Unframed) | edition of 45

81. Adventure £10.10.0 (unframed); £0.12.0 (frame) | edition of 50

82. The showman. £10.10.0 (framed); £0.10.0 (Unframed) | edition of 50

83. Beethoven. £15.15.0 (framed); £0.12.6 (Unframed) | edition of 50

84. Song of the faun £15.15.0 (framed); £0.12.6 (Unframed) | edition of 50

Campbell, Fred. (1851–1930)

85. Ti-tree. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 10 for sale

86. The Dredge. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40

87. Captain Cole's House. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 17 for sale

88. Sunset.

89. Dromkeen, Riddell DP. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 30 | 13 for sale

90. The quarry. £1.11.6 (unframed); £0.05.6 (frame) | edition of 40

91. The Bush Road. £1.11.6 (unframed); £0.05.6 (frame) | edition of 40

92. Reflections. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 17 for sale

93. Yarra from Botanical Gardens Bridge. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 15 for sale

94. The Swinging Basin. £1.11.6 (unframed); £0.06.0 (frame) | edition of 40 | 11 for sale

95. The cool stores. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40

96. Healesville. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40

97. Aneityum, New Hebrides. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40

98. Solitude. £1.11.6 (framed); £0.05.6 (Unframed) | edition of 40 | 18 for sale

99. A Still Evening. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 12 for sale

100. Morning in the bush. £1.11.6 (unframed); £0.06.0 (frame) | edition of 40 | 14 for sale

101. Cormorant Rock, Flinders. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 20 for sale

102. Flinders Street Railway Station. £1.11.6 (unframed); £0.06.0 (frame) | edition of 40 | 18 for sale

103. Wilson Hall, Melbourne University. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 11 for sale

104. In Southern Pastures. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 23 for sale

105. The reef. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 18 for sale

106. East Coast, Port Phillip. £1.11.6 (unframed); £0.05.6 (frame | edition of 40 | 17 for sale

107. A sunlit sea. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 20 for sale

108. Close Hauled. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40 | 19 for sale

109. Sunset. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 40

Shaw, Gayfield. (1885–1961)

110. Bulletin Lane £2.02.0 (unframed); £0.07.6 (frame) | edition of 50

111. The Mill Hut, Menangle. £2.02.0 (framed); £0.06.6 (Unframed) | edition of 50

112. The White Way. £1.01.0 (unframed); £0.05.0 (frame) | edition of 12

113. Hillside dairy. £1.11.6 (unframed); £0.05.6 (frame) | edition of 50

ROBERTSON, Bruce (1872–1943)

Artist: ROBERTSON, Bruce | Title: Rue de l'Cordonnerie, Dinan, France | Date: c.1930 | Technique: etching, printed in brown ink, from one plate

114. Rue de l'Cordonnerie, Dinan, France £6.06.0 (framed); £0.07.6 (Unframed) | edition of 50 | 14 for sale

115. The coming storm, Pittenween, Fife. £6.06.0 (framed); £0.07.6 (Unframed) | edition of 50 | 15 for sale

116. Rue de L'Cordelias, Dinan, France. £5.05.0 (framed); £0.07.6 (Unframed) | edition of 50 | 15 for sale

117. The Old Gum, 'Prospect', NSW. £5.05.0 (framed); £0.09.0 (frame) | edition of 50

118. Group of Gums, 'Deewhy', NSW. £5.05.0 (framed); £0.07.6 (Unframed) | edition of 50 | 23 for sale

119. Nobby's Newcastle, N.S.W. £5.05.0 (unframed); £0.07.6 (frame) | edition of 50 | 23 for sale

120. Glen Rock Lagoon, Merewether, Newcastle, N.S.W. £5.05.0 (framed); £0.07.0 (Unframed) | edition of 50

121. Across the bay, Coogee, Sydney, NSW. £1.16.6 (unframed); £0.07.0 (frame) | edition of 50

122. Waterloo Bridge, London. £1.16.6 (framed); £0.07.0 (Unframed) | edition of 50 | 17 for sale

123. Hunter River at West Maitland, NSW. £1.06.0 (framed); £0.07.0 (Unframed) | edition of 30 | 26 for sale

124. Nework Castle, Fife. £1.16.6 (framed); £0.07.0 (Unframed) | edition of 50 | 40 for sale

125. Elie, Fife. £1.06.0 (framed); £0.07.0 (Unframed) | edition of 30 | 23 for sale

126. Silver Birches, Winbledon Common, London. £1.16.6 (framed); £0.07.0 (frame) | edition of 50 | 27 for sale

127. St. Andrew's from River. £1.06.0 (framed); £0.07.0 (Unframed) | edition of 20 | 13 for sale | drypoint

128. St. Andrew's from Sea, Fife. £1.06.0 (unframed); £0.07.0 (frame) | edition of 50 | 25 for sale

129. Rue de L'Horlogue, Dinan, France. £1.06.0 (framed); £0.07.0 (Unframed) | edition of 50 | 12 for sale

130. Parsley Bay, Sydney Harbour. £1.01.0 (framed); £0.06.0 (Unframed) | edition of 30 | 16 for sale

131. White gum, Cabarita, N.S.W. £1.01.0 (framed); £0.05.0 (Unframed) | edition of 30 | 16 for sale

132. White House, Pittenween, Fife. £2.02.0 (framed); £0.10.0 (Unframed) | edition of 50

133. Westminster Abbey, London. £1.16.6 (framed); £0.09.0 (Unframed) | edition of 50

134. Hunter River at Singleton. £1.06.0 (framed); £0.07.0 (frame) | edition of 30

135. On the Creek. £1.06.0 (unframed); £0.07.6 (frame) | edition of 30 | just issued | etching | Prince's Set

137. Arrival of Renown. £2.02.0 (framed); £0.07.6 (Unframed) | edition of 50

138. Newcastle from Lambton Heights, N.S.W. - -. £0.07.6 (framed); £2.02.0 (Unframed)

139. Launch of Commonwealth Steamer 'Enoggera' by H.R.H. at Newcastle. £0.07.6 (framed); £2.02.0 (Unframed)

Gruner, Elioth. (1882–1939)

Artist: Gruner, Elioth. | Title: The wattles | Date: (1921) | Technique: drypoint, printed in black ink, from one plate

140. The wattles Kindly lent by Raymond Wallis, Esq. | drypoint

FULLWOOD, A.H. (1863–1930)

141. Home, Sweet Home. £2.02.0 (framed); £0.08.0 (Unframed) | edition of 30 | 14 for sale

Friedensen, Thomas. (1879–1931) and FULLWOOD, A.H. (1863–1930)

142. The Spit, Middle Harbour. £2.02.0 (framed); £0.07.6 (Unframed) | edition of 30 | 29 for sale

FULLWOOD, A.H. (1863–1930)

143. The Yarra at Heidelberg, Victoria. £2.02.0 (framed); £0.07.0 (Unframed) | edition of 30 | 30 for sale

144. Vale of Health, Hampstead Heath. £2.02.0 (unframed); £0.08.0 (frame)

Artist: FULLWOOD, A.H. | Title: The Spaniards, Hampstead Heath. | Date: 1909 | Technique: etching and drypoint, printed in black ink, from one plate

145. The Spaniards, Hampstead Heath. £2.02.0 (framed); £0.08.0 (Unframed)

146. The Firs, Hampstead Heath. £3.03.0 (unframed); £0.08.0 (frame)

147. Bull and Bush, Hamstead Heath. £3.03.0 (unframed); £0.08.0 (frame)

148. St. Albans, Christmas Eve. £3.03.0 (framed); £0.09.0 (Unframed)

149. The Bell Inn at Stilton. £3.03.0 (framed); £0.08.0 (Unframed)

150. Windsor Castle and park. £5.05.0 (framed); £0.09.0 (Unframed)

151. Dinian's Pool, Bushey Park -. £3.03.0 (framed); £0.08.6 (Unframed)

152. Mercery Lane, Canterbury. £3.03.0 (unframed); £0.08.0 (frame)

153. Carlyle's House, London. £3.03.0 (framed); £0.08.0 (Unframed)

154. Moonrise at Heidelberg, Victoria. £2.02.0 (framed); £0.07.0 (Unframed) | edition of 30

155. Equitable Building, Melbourne. £2.02.0 (framed); £0.07.6 (Unframed) | edition of 30 | 15 for sale

156. Bank of New South Wales, Melbourne. £2.02.0 (unframed); £0.07.6 (frame) | edition of 30 | 18 for sale

157. Entrance Government House, Melbourne. £2.02.0 (unframed); £0.07.0 (frame) | edition of 30 | 19 for sale | etching

158. Dover Castle.

159. Bank of Victoria, Melbourne. £4.04.0 (unframed); £0.07.6 (frame) | edition of 30

160. The Gap, Sydney Heads. £2.02.0 (framed); £0.07.6 (frame) | edition of 30

161. Town Hall, Melbourne. £2.02.0 (framed); £0.07.6 (Unframed) | edition of 30

162. Wool Exchange, Melbourne. £2.02.0 (framed); £0.07.6 (Unframed) | edition of 30

163. Moonbi Valley, N.S.W. £2.02.0 (unframed); £0.07.6 (frame) | edition of 30

164. Hyde Park, London. £2.02.0 (unframed); £0.08.6 (frame

165. Savage Club, Melbourne. £2.02.0 (framed); £0.07.6 (Unframed) | edition of 30

Godson, John Barclay. (1882–1957) and Godson, John Barclay. (1882–1957)

166. The Reclamation. £4.04.0 (unframed); £0.07.6 (frame) | edition of 30

Godson, John Barclay. (1882–1957)

167. Old boathouse. £2.02.0 (unframed); £0.07.6 (frame) | edition of 20. | 10 for sale.

168. The old bridge. £4.04.0 (unframed); £0.08.0 (frame) | edition of 20

Godson, John Barclay. (1882–1957) and GOODCHILD, John (1898–1980)

169. St. Mary's Cathedral. £4.04.0 (unframed); £0.08.6 (frame) | edition of 25

None

170. Central Tower, Sydney University. £3.03.0 (unframed); £0.07.6 (frame) | edition of 50

Godson, John Barclay. (1882–1957)

170a. Cobles at Staithes, Yorks. £3.03.0 (unframed); £0.07.6 (frame) | edition of 20

171. Transport Berrima, Williamstown. £3.03.0 (framed); £0.07.6 (Unframed) | edition of 20

172. Cobles at Staithes, Yorks. £4.04.0 (framed); £0.05.6 (Unframed) | drypoint

Coffey, Alfred. (1869–1950)

173. Doorway, Sydney University. £1.15.0 (unframed); £0.08.6 (frame) | edition of 50 | 13 for sale

174. Across the lagoon. £1.07.6 (unframed); £0.05.0 (frame) | edition of 50 | 11 for sale

175. The mouth of the creek. £2.15.0 (unframed); £0.10.6 (frame) | edition of 50 | 11 for sale

176. In the shade of the Casnarina. £1.15.0 (unframed); £0.08.6 (frame) | edition of 50 | 12 for sale

Duterrau, Benjamin. (1767–1851)

177. Mr.G.A. Robinson (in his bush dress). Kindly lent by Decoration Galleries.

Rose, Herbert. (1890–1937)

178. Princes Bridge. £2.02.0 (framed); £0.03.0 (Unframed) | edition of 30

179. Flinders Street, Melbourne. £2.12.6 (framed); £0.05.6 (Unframed)

180. Spring Street. £2.17.6 (framed); £0.07.0 (Unframed) | edition of 50

181. Spring Street. £2.17.6 (framed); £0.07.0 (Unframed) | edition of 50

182. Entrance to Auditorium. £2.12.6 (framed); £0.06.6 (Unframed) | edition of 50

Rose, Herbert. (1890–1937) and Rose, Herbert. (1890–1937)

183. Half Moon Bay. £1.11.6 (framed); £0.06.6 (Unframed) | edition of 50

None

184. Central Station, Flinders Street. £2.05.0 (framed); £0.06.6 (Unframed) | edition of 50 | 35 for sale

Rose, Herbert. (1890–1937)

185. Portico of Town Hall. £2.02.0 (framed); £0.06.6 (frame) | edition of 50 | 25 for sale

186. The White Mosque, Assam. £2.02.0 (framed); £0.06.0 (Unframed) | edition of 50

187. Queen's Railway Bridge. £2.02.0 (unframed); £0.06.0 (framed) | edition of 50

188. The Mosque, Cairo. £2.12.6 (unframed); £0.06.6 (frame) | edition of 30 | 16 for sale | drypoint

189. Queen's Wharf, Melbourne. £2.17.6 (unframed); £0.06.0 (frame) | edition of 50

190. Sydney Harbour from Cremorne. £2.07.6 (framed); £0.05.6 (Unframed) | edition of 30 | drypoint

200. Glebe Island Bridge, Sydney. £2.02.0 (framed); £0.06.0 (Unframed) | edition of 50

URE SMITH, Sydney (1887–1949)

201. Tired. £2.12.6 (unframed); £0.05.6 (frame) | edition of 25 | drypoint

202. The barn. £2.02.0 (unframed); £0.05.6 (frame) | edition of 50

203. Brickworks, St. Leonards. £4.04.0 (framed); £0.08.0 (Unframed) | edition of 40 | 30 for sale

Artist: URE SMITH, Sydney | Title: Bank of New South Wales, Windsor | Date: 1920 | Technique: etching, printed in black ink, from one plate

204. Bank of New South Wales, Windsor £2.02.0 (unframed); £0.06.6 (frame) | edition of 30

205. The barn, Winnstay. £2.02.0 (framed); £0.07.0 (frame) | edition of 30

206. Boatsheds, Mosman. £2.02.0 (framed); £0.06.6 (Unframed) | edition of 30 | 18 for sale

207. The Hawkesbury. £3.03.0 (framed); £0.06.6 (Unframed) | edition of 30

Artist: URE SMITH, Sydney | Title: The three barns. | Date: 1921 | Technique: etching, printed in warm black ink with plate-tone, from one plate

208. The three barns. £3.03.0 (unframed); £0.06.6 (frame) | edition of 40

209. Headland from Bilgola, Newport. £3.03.0 (framed); £0.06.6 (Unframed) | edition of 50

210. Hawkesbury River Farm. £3.03.0 (framed); £0.06.0 (Unframed) | edition of 30

211. Camden, N.S.W. £3.03.0 (framed); £0.06.6 (Unframed) | edition of 30

Artist: URE SMITH, Sydney | Title: Cottage, Clarendon | Date: 1921 | Technique: etching, printed in brown ink, from one plate

212. Cottage, Clarendon £2.02.0 (framed); £0.05.6 (Unframed) | edition of 50

213. The farmhouse, Hartley. £2.02.0 (unframed); £0.05.6 (frame) | edition of 50

214. Across the plains, Windsor (1st state). £3.03.0 (framed); £0.07.0 (Unframed) | edition of 10

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

215. Deserted courtyard, Hartley £3.03.0 (framed); £0.07.6 (frame) | edition of 40

216. The farm, Windsor. £8.08.0 (unframed); £0.07.6 (frame) | edition of 25

217. Harbour from Curraghbeana Point. £2.02.0 (unframed); £0.06.6 (frame) | edition of 30 | 10 for sale

218. The cooperage. £8.08.0 (framed); £0.06.0 (Unframed) | edition of 30

219. Ships, Berry's Bay. £3.03.0 (framed); £0.05.6 (Unframed) | edition of 30

220. Ashmore House, Sydney. £2.02.0 (framed); £0.06.0 (Unframed) | edition of 50 | 20 for sale

221. Dawes Battery. £2.02.0 (framed); £0.05.6 (Unframed) | edition of 50

222. Lennox Bridge, Parramatta. £8.08.0 (framed); £0.06.0 (Unframed) | edition of 30

223. The Little Doorway, Bathurst. £1.01.0 (unframed); £0.05.6 (frame) | edition of 50 | 10 for sale

Artist: URE SMITH, Sydney | Title: Musgrave Street from Cremorne. | Date: 1916 | Technique: etching, printed in brown ink with plate-tone, from one copper plate

224. Musgrave Street from Cremorne. £8.08.0 (framed); £0.06.0 (Unframed) | edition of 30

225. The Post Office, from Wynyard Street. £2.02.0 (framed); £0.06.0 (Unframed) | edition of 50 | 10 for sale

SHIRLOW, John (1869–1936)

227. Princes Bridge. £1.11.6 (framed); £0.06.0 (Unframed) | edition of 50

228. Little Doncaster. £1.11.6 (unframed); £0.05.0 (frame) | edition of 40

229. The Law Courts. £2.02.0 (framed); £0.08.0 (Unframed) | edition of 50

230. The saw mill. £2.02.0 (unframed); £0.06.6 (frame) | edition of 40

231. The Central Station, Melbourne. £4.04.0 (framed); £0.11.0 (Unframed) | edition of 50

232. Carron's Iron Yard. £2.02.0 (unframed); £0.06.6 (frame) | edition of 20

233. 'Lex'. £3.03.0 (framed); £0.09.0 (Unframed) | edition of 50

234. (Queen's Wharf, Melbourne) £1.11.6 (unframed); £0.07.0 (frame) | edition of 50

235. G.P.O. Gateway, Melbourne. £2.02.0 (unframed); £0.07.0 (frame) | edition of 50

236. Williamstown. £1.11.6 (framed); £0.06.6 (Unframed) | edition of 50

237. Flinders Lane. £2.02.0 (unframed); £0.07.0 (frame) | edition of 40 | 12 for sale

238. Princes Bridge. £2.02.0 (framed); £0.07.6 (Unframed) | edition of 50 | 15 for sale

239. Collins Street, Evening. £3.03.0 (unframed); £0.10.6 (frame) | edition of 50 | 23 for sale

240. Kong Mong's doorway £2.02.0 (unframed); £0.06.6 (frame) | edition of 40 | 19 for sale

241. Brogan's Lane. £2.02.0 (unframed); £0.06.6 (frame) | edition of 40 | 18 for sale

242. River and city. £2.02.0 (unframed); £0.07.0 (frame) | edition of 50 | 29 for sale

243. The balustrade. £2.02.0 (unframed); £0.07.6 (frame) | edition of 50 | 31 for sale

244. The narrow lane. £2.02.0 (framed); £0.06.6 (Unframed) | edition of 50

245. Melbourne. £2.02.0 (framed); £0.07.0 (Unframed) | edition of 50 | 13 for sale

Representative Exhibition of Oils, Watercolours and Etchings by Leading Sydney Artists

Venues

Sedon Galleries [1] (16 March 1926 – 27 March 1926)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

URE SMITH, Sydney (1887–1949)

49. Hawkesbury River Farm. 5½ gns 5½ gns (Framed) 5½ gns (Unframed)

50. The willows. 4½ gns (Framed) | two copies for sale

51.

Blacksmith's Shop.

5½ gns 5½ gns (Framed) 5½ gns (Unframed)

52. Windsor, N.S.W. 5½ gns (framed)

53. Little schooner, Mosman.. 2½ gns (Framed) | one copy for sale

Gallop, Herbert. (1890–1958)

54. The farm sheds. 2 gns

55. Canberra 2 gns

56. The drinking pool. 2 gns

57. Swamp Ti Trees. 2 gns | Reproduced in Art in Australia.

58. White boat house. 2 gns

59. The deserted farm 2 gns

60. The old gateway. 2 gns.

61. Lakeside. 2 gns

62. Spreading Ti-tree. 1½ gns

63. Two Gums. 1 gn

64. Windswept Ti-tree. 1 gn

65. A Quiet Pool. 1 gn

LINDSAY, Norman (1879–1969)

66. Duke in Arcady. 16 gns (Framed)

67. Beethoven's 8th Symphony. 16 gns (Framed)

68. Mantilla. drypoint (two copies). 16 gns (Framed)

Artist: LINDSAY, Norman | Title: Lady and the parrot. | Date: 1917 | Technique: etching, and softground-etching, printed in dark blue black ink, from one plate

69. Lady and the parrot. 12 gns (Framed)

70. The fan 14 gns (Framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

71. Unknown seas 26 gns (Framed)

72. She Arrives. 12 gns (Framed)

73. Bebut. 16 gns (Framed)

74. Song of the faun 25 gns (Framed)

75. The bride. 15 gns (Framed)

76. Oblation. 16 gns (Framed)

Artist: LINDSAY, Norman | Title: Micomicon | Date: 1921 | Technique: etching, engraving and stipple, printed in black ink, from one copper plate

77. Micomicon 30 gns (Framed)

78. Femininity. 12 gns (Framed) | 2 copies

LINDSAY, Lionel (1874–1961)

79. Sydney from the Terrace, Abmiralty House. 2 gns (Framed)

80. Hero's Lover. 1½ gns (Framed)

81. Millar Street, Sydney. 8½ gns (Framed)

82. The Doric Porch. 4½ gns (Framed)

83. Ben Hall's. 3½ gns (Framed)

84. The Sailor's Return. 2½ gns (Framed)

FEINT, Adrian (1894–1971)

85. The Sonnet. 2 gns

86. Milson's Point. 2 gns

Artist: FEINT, Adrian | Title: Decoration. | Date: 1924 | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

87. Decoration. 1½ gns

88. The south wind. 1½ gns

Artist: FEINT, Adrian | Title: Basket willow. | Date: (1922) | Technique: etching, printed in black ink, from one plate | Copyright: Courtesy the Estate of Adrian Feint

89. Basket willow. 1 gn

LONG, Sydney (1871–1955)

92. Nymphs and Fawns. 10 gns

Artist: LONG, Sydney | Title: Porte Marechale, Bruges | Date: c.1919 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

93. Porte Marechale, Bruges 3 gns

94. Edge of the clearing. 6 gns

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

95. Moonrise pastoral 5 gns

96. The distant dome. 6 gns

97. Riverside. 4 gns

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

98. Between the showers 4 gns

99. Still Pool. 4 gns

100. The quiet corner. 3 gns

101. Landscape. 3 gns

Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Nixon, Job. (1891–1938)

90. Concarneau. 5 Gns (unframed)

91. Concarneau. 5 gns (unframed).

92. Falmouth. 4 gns (unframed)

93. Madona in the wall, Subiaco. 4gns (unframed).

Orlik, Emil. (1870–1932)

149. An old Arab. 2 gns (framed)

150. A Dutch Study. 3 gns (framed)

151. Felucca on the Nile. 1½ gns (framed)

152. Portrait Study. 5 gns (framed)

Geissler, Paul. (1881–)

153. Nuremberg Castle. 3 gns (framed)

154. Lane in Rottenberg. 3 gns (framed)

155. City Gateway, Rottenberg. 4 gns (framed)

Dale, H. Sheppard. (1852–1921)

156. Thomas House, Rye. 3 gns (unframed)

UNWICK, W.N.

157. A Sussex Landscape. 3 gns (unframed)

Upoka, Joseph.

158. The Standard Bearer. 3 gns (unframed)

Geiger, Willy. (1878–1971)

159. The Toreador. 6 gns (unframed)

Boyd, Penleigh. (1890–1923)

160. The big gum. 7 gns (framed) | 1 only for sale

161. Edge of the clearing. 7 gns (framed) | 1 only for sale

162. Edge of the bush. 7 gns (framed)

van RAALTE, Henri (1881–1929)

163. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

164. The cliff 4 gns (unframed)

165. Dawn on the Valley Road. 3 gns (unframed)

166. The sentinel (Torrens Gorge). 6 gns (unframed)

167. Silver evening. 8 gns (unframed)

168. Hillside stream. 6 gns (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

169. The end of day 3 gns (unframed)

170. The road. 3 gns (unframed)

171. Day's beginning. 3 gns (unframed)

172. Roses. 10 gns (unframed)

173. The Big Gums. 10 gns (unframed)

174. Perth (W.A.). 4 gns (unframed)

175. Autumn dawn. 4 gns (unframed)

176. Morning moon. 3 gns (unframed)

177. Moonlit fields [plate for]. 3 gns (unframed)

178. The Karri Tree glade. 6 gns (unframed)

179. Evening symphony. 3½ gns (unframed)

180. Hills of the south. 4 gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

181. The leaning tree 3 gns (unframed)

182. An Australian Summer Day. 8 gns (unframed)

183. The creek in flood. 3½ gns (unframed)

184. Morning*. 2½ gns (unframed)

185. Twisted Branches. 2 gns (unframed)

LINDSAY, Lionel (1874–1961)

186. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

187. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

188. San Lorenzo in the Forum, Rome 4 gns (unframed)

189. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

190. St Ferreol, Marseilles 5 gns (unframed)

191. Casa du Cordon. 5 gns (unframed)

192. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

194. Church in Seville. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

195. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

196. Old Antequera, Andalucia, Spain 5 gns. (unframed)

197. Convent of St Entemia. 6 gns (unframed)

198. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

199. The compliment 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

200. The vaquero 2½ gns (unframed)

201. The water carrier. 1½ gns (unframed)

202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale

203. Alcazar, Seville. 2½ gns (unframed)

204. The bucking brumby. 2 gns (unframed)

205. The Sailor's Return. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little Balcony, Ferry Lane, The Rocks | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale

208. Gloucester Street. 2 gns (unframed)

209. Pastoral. 2½ gns (unframed)

210. The water hole. 2½ gns (unframed) | 1 only for sale

211. A Pipe of Baccy. 2½ gns (unframed)

212. The Law Courts. 2 gns (unframed)

213. The Swing Bridge. 2 gns (unframed) | 1 only for sale

214. Under the Laurels. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

215. The drafting gate, Bendemeer 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

216. Evening ride 5 gns (unframed)

217. Byron. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

218. The fountain 2½ gns (unframed) | I only for sale

219. Kookaburra. 1 gn (unframed) | woodcut

220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut

221. Heron. 1 gn (unframed) | woodcut

222. Witch. 1½ gns (unframed) | woodcut

223. Spangles. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

224. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

225. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

226. The black cat 3 gns (unframed) | 1 only for sale | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

227. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

228. Dahlias 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

229. Fruit piece 1 gn (unframed) | woodcut

230. Bignonia. 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

231. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

232. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

233. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

234. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

235. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

236. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

237. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

238. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

239. The broken plough 3½ gns (framed)

Rose, Herbert. (1890–1937)

240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint

241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint

242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

243. Fondamenta Tasca, Venice. 3½ gns (framed)

244. The Sugar Mills. 8 gns (framed)

245. The Zattere, Venice. 3½ gns (framed) | drypoint

246. Old Village Cagnes. 3 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

253. The Ring 4 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

254. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

255. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

256. The man in black. 6 gns (unframed)

257. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

258. House on the hill. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

259. The poddy calf 3 gns (unframed)

260. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

261. Ducks 1 gn (unframed)

Friedensen, Thomas. (1879–1931)

262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)

263. Windsor Castle, Berkshire. 2 gns (unframed)

264. The archway, Riviera. 3 gns (unframed)

265. The Madonna of the Bush. 1½ gns (unframed)

266. Harnessing. 1½ gns (unframed)

267. Homestead in the North-West. 2 gns (unframed)

268. The bark hut. 2 gns (unframed)

269. Venice, No. 2. 2 gns (unframed)

270. Building the bridge, Sydney Harbour. 2½ gns (unframed)

271. Omar, the Tent Maker. 3 gns (unframed)

272. The Drovers. 3 gns (unframed)

273. The Mounain Road, Brush Creek. 3 gns (unframed)

274. The Grand Canal, Venice. 3 gns (unframed)

275. Fountains Abbey, Yorkshire. 3 gns (unframed)

276. The Bush, New South Wales. 4 gns (unframed)

277. Three Kookaburras. 2 gns (unframed)

278. The Wallondilly. 3 gns (unframed)

279. Venice. 4 gns (unframed) | (1 only).

280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

282. The lake, Avoca 4 gns (unframed)

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

290. A windy day 3 gns (unframed)

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

LINDSAY, Norman (1879–1969)

295. Moonlight Piper. 12 gns (unframed)

296. Thieves' Kitchen. [no price given] (unframed)

297. Leda. [no price given] (unframed)

298. Don Juan's garden. 8 gns (unframed)

299. The Innocents. 15 gns (unframed)

300. Femininity. 12 gns (framed)

301. Adventure 25 gns (framed)

302. Unknown seas 30 gns (framed)

303. She Arrives. 18 gns (framed)

304. Song of the faun 25 gns (framed)

305. Oblation. 18 gns (framed)

305a.The. Butterfly. 12 gns (framed)

306. Robin Hood. 7 gns (framed)

307. Enter the Duke. 15 gns (framed)

308. Acceptance. 6 gns (framed)

309. The Poet. 8 gns (framed)

310. Love on Earth. 18 gns (framed)

311. The bride. 12 gns (framed)

Dillon, Cyril. (1883–1974)

312. Spires of St. Paul's, Melbourne. 3 gns (unframed)

313. Melbourne Grammar School. 3 gns (unframed)

314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

315. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)

317. Entrance, old Colonial Treasury. 4 gns (unframed)

318. 177 Kent Street, Sydney. 2 gns (unframed)

319. Cumberland Street Hostel. 2½ gns(unframed)

320. Argyle. 3 gns (unframed)

321. Ah Lum's Farm, Windsor. 5 gns (unframed)

322. Entrance to the Farm. 2 gns (unframed)

323. Packing Oranges. 3 gns (unframed)

324. Shade. 3 gns (unframed)

325. Hawkesbury River Farm. 5 gns (unframed)

326. Deserted courtyard, Hartley 5 gns (unframed)

327. Rose's Mill, Mt Gilead. 5 gns (unframed)

Cobb, Victor. (1876–1945)

328. Sunday morning, Collins Street. 3 gns (framed)

329. The Tower, Arts School, Universiy. 3½ gns (framed)

330. The two poplars. [no price given] (framed)

331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

334. Entrance, Trinity College. 2 gns (framed)

335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

336. Fragment. 1 gn (framed)

Sheldon, Vincent. (1895–1945)

337. Old St. Andrew's, Brisbane. 2 gns (unframed)

338. Evening. 2 gns (unframed)

339. The old kiln. 2 gns (unframed)

Gallop, Herbert. (1890–1958)

340. Lakeshore. 4 gns (unframed)

341. Macquarie Shore. [no price given]

342. Shade Ti Trees. 3 gns (unframed)

343. The farm sheds. [no price given] (unframed)

344. Farmyard, Winter. 2½ gns (unframed)

345. Lacewood Pines. 2½ gns (unframed)

346. Pittwater shore. 2½ gns (unframed)

347. The white boathouse. 2½ gns (unframed)

348. The sheltered barn. 2 gns (unframed)

349. The drinking pool. 2 gns (unframed)

350. Windswept. 4 gns (unframed)

351. The old gateway. 2 gns (unframed)

GRIFFIN, Murray (1903–1992)

352. Enchanted wood 3 gns (framed)

353. Ann Mary. 3 gns (framed)

Thompson, Thelma. (1920–)

354. The Hermitage Bell. 2 gns (framed)

355. The Bridge of Sighs, Venice. 3 gns (framed)

356. York Minster. 3 gns (framed)

Flett, James. (1906–1986)

357. The Treasure Chest. 6 gns (framed)

358. Dead Man's Tree. 2½ gns (framed)

359. Berries. 3½ gns (framed)

Artist: Flett, James. | Title: Jerboas. | Date: (1932) | Technique: linocut, printed in colour, from mutliple blocks

360. Jerboas. 3 gns (framed)

361. The intruders. 3 gns (framed)

Artist: Flett, James. | Title: The artist. | Date: 1928 | Technique: linocut, printed in colour, from multiple blocks

362. The artist. 3½ gns (framed)

363. The Pirate. 3 gns (framed)

364. Victorian Days. 2½ gns (framed)

365. The Dominican. 2 gns (framed)

366. The old captain. 2 gns (framed)

367. Fawkner. 2 gns (framed)

368. Dampier. 2 gns (framed)

369. Peter, the Pumpkin Eater. 4 gns (framed)

Reynolds, Frederick George. (1880–1932)

370. Ti tree. 1 gn (framed)

371. In the Dandenongs. 6 gns (framed)

372. The bullock team. 2 gns (framed)

373. Giant Blue Gums. 2 gns (framed)

374. Edge of the clearing. 2 gns (framed)

375. A bush road. 7 gns (framed)

Hosking, W. John. (1930–)

376. Sunny hours. 3 gns (framed)

377. The Slow Motion Steeplechase. 1½ gns (framed)

378. Pals. 1½ gns (framed)

379. Ursa Major and Ursa Minor. 2 gns (framed)

380. The Shearers. 1½ gns (framed)

381. The caravan. 2 gns (framed)

382. Moonrise. 1½ gns (framed)

383. The Light, Fantastic Toe. 2½ gns (framed)

GOODCHILD, John (1898–1980)

384. The Northern Group. 2 gns (unframed)

Goodhart, J.C. (1873–1952)

385. Klondyke Propty. Mine. 3 gns (unframed)

386. Molle Street Bridge, Hobart. 2 gns (unframed)

387. A bit of old Hobart. 1 gn (unframed)

7th Xmas Exhibition of Etchings and Woodcuts by Leading English and Australian Artists

Venues

Sedon Galleries [2] (3 December 1931 – 24 December 1931)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Venue Not Identified. (3 December 1931 – 24 December 1931)

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

Zorn, Anders. (1860–1920)

3. My Models and My Boat. 25 gns (framed)

4. Against the current. 25 gns (framed)

Kasimir, Luigi. (1881–1962)

5. The old courtyard, Munich. 4 gns (framed)

6. The Tal, Munich. 3 gns (framed)

Tushingham, Sidney. (1884–1968)

7. Landscape. 12 gns (framed)

Bauer, Carl Joseph. (1897–1989)

8. Nude. 6 gns (framed)

Macbeth-Raeburn, Henry. (1860–1947)

9. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

10. The Agglestone, Studland Heath, Dorset. 3 gns

11. Old Poole Bridge. 3 gns

12. A Purbeck Farmstead. 3 gns

13. Moonrise in Pinelandd. 4 gns

14. London, from Cherry Gardens. 5 gns

15. Eastington Farm, Dorset. 3 gns

16. Storm and sunshine in the Cotswolds. 4 gns

17. A Dorset Shipyard. 5 gns

18. Whitgift Jetty, Yorkshire. 4 gns

19. Nocturne, Hammersmith. 3 gns

20. The Home of the Barges, Rochester Night. 5 gns

21. Benscombe Farm, Dorset. 3 gns

22. Doughty's Island. 3 gns

23. Nocturne, Westminster. 4 gns

24. An ancient house, Rochester. 3 gns

25. Near Bradle, Dorset. 4 gns

26. Blackmanstone Farm, Dorset. 5 gns

27. The Two Bowsprits, Poole. 4 gns

28. Under the Stern, Poole. 5 gns

29. House at Worth, Maltravers. 2 gns

30. Low Tide, Hammersmith. 3 gns

31. The condemned dwelling. 5 gns

32. Tugs on the Maas, Holland. 4 gns

33. Swanage Mill Pond. 4 gns

34. Thames Factories. 4 gns

Sharland, Edward W. (1884–1967)

35. London Bridge. 3 gns

36. Blackfriars Bridge. 3 gns

37. London Bridge. 3 gns | colour

38. Prince Henry's House, Fleet Street. 3 gns

39. The Old Mint at Bristol. 3 gns

40. Bit of Old London. 3 gns

van RAALTE, Henri (1881–1929)

54. The Monarch, Kalgan River, W.A. 60 gns (unframed)

55. The cliff 5½ gns (unframed) | aquatint

56. Hillside stream. 8½ gns (unframed) | aquatint

57. The end of day 1½ gns (unframed) | aquatint

58. The road. 5 gns (unframed)

59. Day's beginning. 4½ gns (unframed) | aquatint

60. Perth (W.A.). 5½ gns (unframed) | aquatint

61. Morning moon. 4½ gns (unframed)

61. Evening symphony. 5 gns (unframed)

62. Moonlit fields [plate for]. 5 gns (unframed)

63. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. The creek in flood. 4½ gns (unframed)

69. Morning. 4 gns (unframed)

70. Twisted Branches. 2½ gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

71. The Bassra guard 5 gns (unframed)

72. The Casa del Fores, Granada. 4 (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

73. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. The Tunis Gate, Kairouan 6 gns (unframed)

75. Town Gate, Burgos. 5 gns (unframed)

76. An ancient gateway, Burgos 4 gns (unframed)

77. San Lorenzo in the Forum, Rome 4 gns (unframed)

78. A Door, Castle Nuovo, Naples. 5 gns (unframed)

79. St Ferreol, Marseilles 5 gns (unframed)

80. The Street of the Aquaduct, Segovia. 4 gns (unframed)

81. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed).

82. Little market, San Gaetano, Naples 5 gns (unframed).

83. Old Antequera, Andalucia, Spain 5 gns (unframed)

84. Santa Dominica, Maggiore. 6 gns (unframed)

85. The vaquero 2½ gns (unframed)

86. The water carrier. 1½ gns (unframed)

87. The bucking brumby. 2 gns (unframed)

88. The Sailor's Return. 2 gns (unframed)

89. A Pipe of Baccy. 2½ gns (unframed)

90. The Law Courts. 2 gns (unframed)

91. Evening ride 5 gns (unframed)

92. White goats 1½ gns (unframed) | woodcut

93. The Emperor 2 gns (unframed) | woodcut

94. The broken fence 1½ gns (unframed) | woodcut

95. Fruit piece 1 gn (unframed) | woodcut

Herbert, Harold. (1891–1945)

96. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

97. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

98. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

99. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

100. Brixham trawlers 3½ gns (framed)

101. In Morocco 3½ gns (framed)

102. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

103. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

104. The broken plough 3½ gns (framed)

Hosking, W. John. (1930–)

105. Steeplejacks. 4 gns (framed)

Rose, Herbert. (1890–1937)

106 Piazza Umberto Desengano, Italy. 31/2 gns (framed) | drypoint

107. Rue des Tamis, Tunis. 41/2 gns (framed) | drypoint

108. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

109. Fondamenta Tasca, Venice. 31/2 gns (framed)

110. The Zattere, Venice. 31/2 gns (framed) | drypoint

112. Cagnes, France. 31/2 gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

Wheeler, Charles. (1881–1977)

114. St. Clement Dane's Church. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

114. The home paddock. 3 gns (unframed)

Wheeler, Charles. (1881–1977)

115. Queen Victoria Memorial. 4 gns (framed)

116. Montmartre. 4 gns (framed)

117. La Tour De L'Horloge, Dinan. 4 gns (framed)

118. Milking Time. 4 gns (framed)

119. Aqueduct, Segoria. 4 gns (framed)

Waller, M. Napier. (1893–1972)

120. The Ring 5 gns (unframed)

121. Hit. 3 gns (unframed)

122. Guinea fowls 1 gn (unframed)

123. The man in black. 6 gns (unframed)

124. The black cloak. 4 gns (unframed)

125. House on the hill. 4 gns (unframed)

126. The shepherd. 3 gns (unframed)

127. Ducks 1 gn (unframed)

128. Head. 1 gn (unframed)

130. Fish Lane, Chester. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

131. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

132. Morgan Le Fay. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

134. Landscape, Narrabeen. 3 gns (unframed)

136.

The blacksmith's shop

4 gns (unframed)

138. Boatshed, Narrabeen. 4 gns (unframed)

Friedensen, Thomas. (1879–1931)

139. A Moorish gateway. 1½ gn (unframed)

140. Canal in Venice. 3 gns (unframed)

141. Clearing, Morning. 3 gns (unframed)

142. The flooded creek. 4 gns (unframed)

143. A mountain selection. 2 gns (unframed)

145. Home in the Bush. 1½ gns (unframed)

146. Homestead on the Federal Highway. 2 gns (unframed)

147. The Madonna of the Bush. 2 gns (unframed)

148. Omar, the Tent Maker. 3 gns (unframed)

149. The Grand Canal, Venice. 3 gns (unframed)

LINDSAY, Norman (1879–1969)

150. Enter the Magicians. 15 gns (unframed)

151. Julia Fisk and Mr Brish. 7 gns (unframed)

152. Leda. 10 gns (unframed)

153. Thieves' Kitchen. 10 gns (unframed)

154. C Sharp Minor Quartette. 15 gns (unframed)

155. Night's Frolics. 8 gns (unframed)

156. Don Juan's garden. 8 gns (unframed)

157. Femininity. 12 gns (unframed)

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 12 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 12 gns (unframed)

Zelman, Victor. (1877–1960)

164. Reflections, Thornton. 2 gns (framed)

165. Shepherd's Flat. 2 gns (framed)

166. The wood carter. 2 gns (framed)

167. The Burnley Ferry. 2 gns (framed)

168. Pastoral. 2 gns (framed)

Dillon, Cyril. (1883–1974)

169. Spires of St. Paul's, Melbourne. 3 gns (unframed)

170. Melbourne Grammar School. 3 gns (unframed)

171. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

172. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

173. Old Homes, Cumberland Street. 2½ gns (unframed)

174. Entrance, old Colonial Treasury. 4 gns (unframed)

175. Cumberland Street Hostel. 2½ gns (unframed)

176. Argyle. 3 gns (unframed)

177. Entrance to the Farm. 2 gns (unframed)

178. Packing Oranges. 3 gns (unframed).

179. Shade. 3 gns (unframed)

180. Deserted courtyard, Hartley 5 gns (unframed)

181. Rose's Mill, Mt Gilead. 5 gns (unframed)

GOODCHILD, John (1898–1980)

182. Westminster Abbey, London. 3 gns (unframed)

GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)

183. Sydney from Milsons Point. 4 gns (unframed)

GOODCHILD, John (1898–1980)

184. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

185. Banks of Arno 2 gns (unframed)

186. Gums in sunlight. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

187. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

188. Castlereagh Street. 2 gns (unframed)

189. Trafalgar Square, London. 3½ gns (unframed)

190. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

191. The port, London 2½ gns (unframed)

192. Tivoli, Italy. 2½ gns (unframed)

193. The Estuary. 3 gns (unframed)

194. Gateway, Lincoln. 2 gns (unframed)

195. Evening anchorage. 2½ gns (unframed)

196. Home berths. 3 gns (unframed)

197. King Street, Sydney. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

198. Landscape harmony 2 gns (unframed)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

199. Brandon Bridge 5 gns (unframed)

Artist: GOODCHILD, John | Title: Light through trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

200. Light through trees 2 gns (unframed)

201. Solitude. 3 gns (unframed)

Cobb, Victor. (1876–1945)

202. The two stacks. 3 gns (framed)

203. Sunday morning, Collins Street. 3 gns (framed)

204. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

205. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

206. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

207. Trinity College. 2 gns (framed)

208. Doorway, old Scotch College. 2 gns (framed).

209. Scotch College, Hawthorn. 2½ gns (framed)

210. St. John's Church, Toorak. 2½ gns (framed)

211. Princes Bridge, from the West. 3 gns (framed)

212. Scots Church, Collins St. 2½ gns (framed)

213. The archway, Scotch College. 3 gns (framed)

214. The Tower, Melbourne Grammar School. 3 gns (framed)

215. Norman Archway, City Courts. 2½ gns (framed)

216. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

217. Ye Olde Mitre Tavern. 2½ gns (framed)

218. Coombe Cottage, Coldstream. 4 gns (framed)

219. Pergola and Bath, Coombe Cottage. 4 gns (framed)

220. Queen's Bridge. 1½ gns (framed)

221. Old St. James' Cathedral. 3½ gns (framed)

222. Evening light, Darebin Creek. 3½ gns (framed)

223. Haunt of the Kingfisher, Alexandra. 3 gns (framed)

224. A glimpse Melbourne. 2½ gns (framed)

SHIRLOW, John (1869–1936)

225. Twilight. 4 gns (framed) | aquatint

226. The smithy, Ross, Tasmania. 2 gns (framed)

227. The city. 3 gns (framed)

228. Sunset. 4 gns (framed)

229. Top of Bourke Street. 3 gns (framed)

230. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

231. Corio Bay, Geelong. 3 gns (framed)

232. Yarraside. (2nd State). 3 gns (framed)

Hosking, W. John. (1930–)

233. The Shearers. 2 gns (unframed)

234. Sleep. 21/2 (unframed)

235. The preacher in the pulpit. 21/2 gns (unframed)

LONG, Sydney (1871–1955)

235. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

Hosking, W. John. (1930–)

236 The dragon plane. 2 gns (unframed)

237. The fairy ring. 31/2 gns (unframed)

238. The butterfly dance. 5 gns (unframed)

239. The caravan. 2 gns (unframed)

240 Steeplejacks. 2 gns (unframed)

241. Refreshment. 2 gns (framed)

242. Ursa Major and Ursa Minor. 2 gns (framed)

243. Hush! the Mantos Prays. 3 gns (framed)

244. Pals. 2 gns (framed)

245. The Light, Fantastic Toe. 3 gns (framed)

246. The Slow Motion Steeplechase. 4 gns (framed)

247. Sunny hours. 3½ gns (framed)

Taylor, Stephanie. (1899–1974)

248. The gum. 2 gns (framed)

McCulloch, Alan. (1907–1992)

249. The coming storm. 3 gns (framed)

250. The Windmill. 2 gns (framed)

Pestell, William. (1930–)

251. Scots' Church Spire. 3 gns (framed)

Williams, C.W. (1930–)

252. Princes Bridge. 4 gns (framed)

253. Scots' Church, Collins Street. 4 gns (framed)

254. Flinders Street Station. 4 gns (framed)

255. Collins Street, from Treasury. 3 gns (framed)

256. Harbour Mists, Sydney. 5 gns (framed)

257. St. Patrick's Cathedral. 5 gns (framed)

258. Morning mists. 4 gns (framed)

259. Parliament House, Melbourne. 7 gns (framed).

260. The T. and G. Building. 6 gns (framed)

261. Sydney Bridge and North Pylon. 5 gns (framed)

262. Old Sydney and 'Our' Bridge. 6 gns (framed)

Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th Xmas Exhibition of Etchings and Woodcuts by Master Etchers.

Venues

Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia