The Grand Canal, Venice.

Thomas Friedensen (1879–1931)

The Grand Canal, Venice.

EXHIBITION HISTORY 1 – 4 of 4 exhibitions

Catalogue of the Exhibition of the Australian Painter-Etchers' Society. Exhibition of Etchings by Members and Honary Members of the Australian Painter-Etchers' Society [1925].

Venues

Dunster Galleries (24 November 1925 – 15 December 1925)
104-106 Gawler Place, Adelaide, South Australia, Australia

Works

Burridge, Fred. (1869–1945)

The Mountain Smithy. £5.05.0 (unframed) | etching

Hardie, Martin. (1875–1952)

Evening in the fishing quarter. £4.04.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

Memories. £8.08.0 (unframed) | etching

Sitting Up. £6.06.0 (unframed) | etching

OSBORNE, Malcolm (1880–1963)

Chinon Castle. £4.04.0 (unframed) | etching

ROBINS, W.P. (1882–1959)

In the Path of the Gale. £5.05.0 (unframed) | etching

WALCOT, William (1874–1943)

Venice. £7.07.0 (unframed) | etching

Anderson, Stanley. (1884–1966)

2. Wreckage. £3.03.0 (unframed) | etching

Airy, Anna. (1882–1964)

3. Azaleas. £7.07.0 (unframed) | etching

Lee Hankey, William. (1869–1952)

10. Jeanette of the Market. £12.12.0 (unframed) | etching

URE SMITH, Sydney (1887–1949)

11. The farm sheds. £6.06.0 (unframed) | etching

12. Farmhouse, Hartley. £2.02.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Washing day | Date: 1924 | Technique: etching, printed in black ink, from one plate

13. Washing day £2.02.0 (unframed) | etching

14. Farmyard, Clarendon. £2.02.0 (unframed) | etching

15. The sequestered farm. £3.03.0 (unframed) | etching

16. The country road. £3.03.0 (unframed) | etching

17. The Hawkesbury, Windsor. £3.03.0 (unframed) | etching

18. Offices of the 'Sydney Morning Herald'. £5.05.0 (unframed) | etching

19. The Old Treasury. £4.04.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: The blacksmith's shop, Ambleside | Date: 1925 | Technique: etching, printed in black ink with plate-tone, from one plate

20. The blacksmith's shop, Ambleside £5.05.0 (unframed) | etching

Artist: URE SMITH, Sydney | Title: Ambleside farmyard | Date: c.1926 | Technique: etching, printed in black ink, from one plate

21. Ambleside farmyard £3.03.0 (unframed) | etching

ROBERTSON, Bruce (1872–1943)

22. Australian sunrise. £3.03.0 (unframed) | etching

23. Belmont Lagoon, Lake Macquarie N.S.W.. £2.17.6 (unframed) | etching

24. On the Lane Cove, Sydney Harbour. £2.17.6 (unframed) | etching

25. Old Argyle Cut, Sydney. £2.10.0 (unframed) | etching

26. Australian sunrise. £2.10.0 (unframed) | etching

27. Australian natives, Lake Macquarie, NSW. £1.11.6 (unframed) | etching

28. Rue de Mer Rouge, Algiers. £1.11.6 (unframed) | etching

29. Outer Lake, Narrabeen. £1.05.0 (unframed) | etching

30. Old Balmoral Beach, Sydney Harbour. £1.11.6 (unframed) | etching

31. Banksia, Collaroy. £1.11.6 (unframed) | etching

32. Groote Church, Dordrecht, Holland. £1.11.6 (unframed) | etching

33. Trees of Balmoral, Sydney Harbour. £1.01.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

34. An Early Dooway. £2.02.0 (unframed) | etching

Godson, John Barclay. (1882–1957) and Godson, John Barclay. (1882–1957)

35. The Reclamation. £4.04.0 (unframed) | etching

Godson, John Barclay. (1882–1957)

36. Cobles at Staithes, Yorks. £3.03.0 (unframed) | etching

37. Bushrangers' Hill, Pittwater. £2.02.0 (unframed) | etching

38. Minnamurra Reflections. £3.03.0 (unframed) | etching

39. Early morn. £2.02.0 (unframed) | etching

LONG, Sydney (1871–1955)

40. Strand on the Green. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The riverside | Date: 1923 | Technique: line-etching and aquatint, printed in black ink with plate tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

41. The riverside £4.04.0 (unframed) | etching

Artist: LONG, Sydney | Title: Beddington Corner | Date: 1922 | Technique: softground-etching and aquatint, printed in dark brown ink with plate-tone, from one plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

42. Beddington Corner £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Moonrise pastoral | Date: 1918 | Technique: aquatint, printed in sepia ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

43. Moonrise pastoral £5.05.0 (unframed) | etching

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

44. Young Kookaburras £2.02.0 (unframed) | etching

45. The Snake Yarn. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Radnage, Bucks | Date: 1920 | Technique: line-etching, printed in black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

46. Radnage, Bucks £4.04.0 (unframed) | etching

47. Belfry, Bruges. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: The deserted selection. | Date: 1923 | Technique: line-etching, printed in black ink with plate tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

48. The deserted selection. £3.03.0 (unframed) | etching

Artist: LONG, Sydney | Title: Between the showers | Date: (1916) | Technique: line-etching and drypoint, printed in warm black ink, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

49. Between the showers £4.04.0 (unframed) | etching

50. Fishing Boats, St. Ives. £2.12.6 (unframed) | etching

51. Pastoral. £6.06.0 (unframed) | etching

Friedensen, Thomas. (1879–1931)

52. The Breaking up of H.M.A.S. 'Australia'. £3.03.0 (unframed) | etching

53. The Grand Canal, Venice. £3.03.0 (unframed) | etching

54. Lacey's Creek, Burragorang Valley, N.S.W. £3.03.0 (unframed) | etching

55. St. Paul's Cathedral, London. £2.12.6 (unframed) | etching

56. The Up Country Farmer. £2.02.0 (unframed) | etching

57. An old English shepherd. £2.02.0 (unframed) | etching

58. A canal in Venice. £2.12.6 (unframed) | etching

Morgan, Squire. (1886–1974)

59. A Scone farm. £3.03.0 (unframed) | etching

Artist: Morgan, Squire. | Title: Ti trees | Date: 1922 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate

60. Ti trees £3.03.0 (unframed) | etching

61. At Palm Beach. £3.03.0 (unframed) | etching

62. Old bullock dray. £3.03.0 (unframed) | etching

63. The lakeside. £2.12.6 (unframed) | etching

64. Deserted hut. £2.02.0 (unframed) | etching

FULLWOOD, A.H. (1863–1930)

65. Dawes Point, Sydney. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: Jerusalem Bay, Ku-Ring-Gai Chase, NSW. | Date: 1924 | Technique: etching, printed in black ink, from one plate

66. Jerusalem Bay, Ku-Ring-Gai Chase, NSW. £4.04.0 (unframed) | etching

67. Sydney Grammar School. £3.03.0 (unframed) | etching

Artist: FULLWOOD, A.H. | Title: The picnic. | Date: 1923 | Technique: etching, printed in black ink, from one plate

68. The picnic. £4.04.0 (unframed) | etching

69. The launch. £3.03.0 (unframed) | etching

70. Conservatorium of Music, Sydney. £3.03.0 (unframed) | etching

71. Wiseman's Ferry. £4.04.0 (unframed) | etching

72. St. James Church, Sydney. £4.04.0 (unframed) | etching

73. Milson's Point, Sydney. £4.04.0 (unframed) | etching

74. Oxford and Cambridge Boat Race: The Start. £4.04.0 (unframed) | etching

75. St. Joseph's College, Sydney. £3.03.0 (unframed) | etching

76. Chinaman's gardens, Rose Bay. £4.04.0 (unframed) | etching

Walker, F. Sidney. (1888–1972)

77. MacTaggart's Farm. £1.07.0 (unframed) | etching

78. The River Tweed. £1.11.6 (unframed) | etching

79. Prince's Bridge, Melbourne. £1.11.6 (unframed) | etching

80. Newport Rocks. £1.01.0 (unframed) | etching

81. Evening. £1.01.0 (unframed) | etching

82. Timber Craft. £1.07.0 (unframed) | etching

83. The Estuary. £1.01.0 (unframed) | etching

84. From the Mountain Side. £1.07.0 (unframed) | etching

85. Along the Murrumbidgee. £1.11.6 (unframed) | etching

86. Mountain Gums. £1.11.6 (unframed) | etching

87. A Sydney Ferry. £1.01.0 (unframed) | etching

88. The river boat. £1.07.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

89. Bullock team. £1.11.6 (unframed) | etching

90. Wool Team. £1.11.6 (unframed) | etching

91. Martin's Farm. £2.02.0 (unframed) | etching

92. In Camp. £2.12.6 (unframed) | etching

93. Politicians. £2.12.6 (unframed) | etching

94. Cultivation paddocks. £2.12.6 (unframed) | etching

95. On the road. £3.03.0 (unframed) | etching

96. Loading Wool. £3.03.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

97. Sundown. £3.03.0 (unframed) | etching

Warner, Alfred Edward. (1879–1968)

98. Gid-Dap. £3.03.0 (unframed) | etching

Farmer, Helen. (1888–1970)

99. The cowbail. £2.02.0 (unframed) | etching

100. A river boat. £1.11.6 (unframed) | etching

101. The paddock gate. £3.03.0 (unframed) | etching

102. The derelict. £2.02.0 (unframed) | etching

103. Chinamen's gardens, Mavey Vale. £2.02.0 (unframed) | etching

104. Loading a drogher. £2.02.0 (unframed) | etching

105. The deserted tenement. £1.11.6 (unframed) | etching

106. The cottage on the hill. £1.01.6 (unframed) | etching

Crisp, James. (1879–1962)

107. A Favorite Spot. £2.02.0 (unframed) | etching

108. The old mill, Auckland, N.Z. £1.11.0 (unframed) | etching

109. The Story. £1.11.6 (unframed) | etching

Artist: Crisp, James. | Title: The gander. | Date: 1924 | Technique: etching, printed in green ink with plate-tone, from one plate

110. The gander. £1.01.0 (unframed) | etching

MORT, Eirene (1879–1977)

Artist: MORT, Eirene | Title: Sydney Harbour from Vaucluse | Date: 1923 | Technique: etching, printed in black ink, from one plate

111. Sydney Harbour from Vaucluse £2.02.0 (unframed) | etching

112. Government House, Windsor, N.S.W. £2.02.0 (unframed) | etching

113. The yard. £2.02.0 (unframed) | etching

114. Officers' Mess, Duntroon R.M.C. £2.12.6 (unframed) | etching

Artist: MORT, Eirene | Title: Black Mountain, Canberra | Date: 1924 | Technique: etching, printed in black ink, from one plate

115. Black Mountain, Canberra £1.11.6 (unframed) | etching

116. A Hartley barn. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

117. The Bridge. £1.11.6 (unframed) | etching

118. Ships at rest. £2.02.0 (unframed) | etching

119. After work. £2.02.0 (unframed) | etching

120. Low Banks. £1.01.0 (unframed) | etching

121. Bush Light. £1.01.0 (unframed) | etching

122. Sydney from Bradleys Head. £2.02.0 (unframed) | etching

123. The smithy. £2.02.0 (unframed) | etching

124. Quiet afternoon, Port Adelaide. £4.04.0 (unframed) | etching

GOODCHILD, John (1898–1980) and Warner, Alfred Edward. (1879–1968)

125. Sundown. £2.02.0 (unframed) | etching

GOODCHILD, John (1898–1980)

126. Desolation. £1.11.6 (unframed) | etching

127. King William Street, Adelaide. £2.12.6 (unframed) | etching

128. G.P.O., Adelaide. £5.05.0 (unframed) | etching

Britton, Fred. (1889–1931)

129. The Winery. £0.15.0 (unframed) | etching

130. The barn. £0.15.0 (unframed) | etching

131. The wharves, Birkenhead. £1.01.0 (unframed) | etching

132. Old carpenter's shop, Noarlunga. £1.01.0 (unframed) | etching

133. Old cottages at Goolwa. £1.11.6 (unframed) | etching

134. The sunlit homestead. £2.02.0 (unframed) | etching

135. Cottage at Aldgate. £2.02.0 (unframed) | etching

136. The slips. £2.12.6 (unframed) | etching | Collection: British Museum.

van RAALTE, Henri (1881–1929)

137. The water glade (Torrens Gorge). £8.08.0 (unframed) | etching

138. Silver evening. £7.07.0 (unframed) | etching

Artist: van RAALTE, Henri | Title: Tuarts of the South-West. | Date: 1920 | Technique: drypoint, printed in brown ink with plate-tone, from one plate

139. Tuarts of the South-West. £10.10.0 (unframed) | etching

140. The Cathedral at Dawn. £4.04.0 (unframed) | etching

Fifth Annual Christmas Exhibition of Etchings, Woodcuts, Lithographs by Famous Master Etchers.

Venues

Sedon Galleries [1] (26 November 1929 – 31 December 1929)
Hardware Chambers, 4th floor, 231 Elizabeth St., (opp The Kalizoic), Melbourne, Victoria, Australia

Works

Nixon, Job. (1891–1938)

90. Concarneau. 5 Gns (unframed)

91. Concarneau. 5 gns (unframed).

92. Falmouth. 4 gns (unframed)

93. Madona in the wall, Subiaco. 4gns (unframed).

Orlik, Emil. (1870–1932)

149. An old Arab. 2 gns (framed)

150. A Dutch Study. 3 gns (framed)

151. Felucca on the Nile. 1½ gns (framed)

152. Portrait Study. 5 gns (framed)

Geissler, Paul. (1881–)

153. Nuremberg Castle. 3 gns (framed)

154. Lane in Rottenberg. 3 gns (framed)

155. City Gateway, Rottenberg. 4 gns (framed)

Dale, H. Sheppard. (1852–1921)

156. Thomas House, Rye. 3 gns (unframed)

UNWICK, W.N.

157. A Sussex Landscape. 3 gns (unframed)

Upoka, Joseph.

158. The Standard Bearer. 3 gns (unframed)

Geiger, Willy. (1878–1971)

159. The Toreador. 6 gns (unframed)

Boyd, Penleigh. (1890–1923)

160. The big gum. 7 gns (framed) | 1 only for sale

161. Edge of the clearing. 7 gns (framed) | 1 only for sale

162. Edge of the bush. 7 gns (framed)

van RAALTE, Henri (1881–1929)

163. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

164. The cliff 4 gns (unframed)

165. Dawn on the Valley Road. 3 gns (unframed)

166. The sentinel (Torrens Gorge). 6 gns (unframed)

167. Silver evening. 8 gns (unframed)

168. Hillside stream. 6 gns (unframed)

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

169. The end of day 3 gns (unframed)

170. The road. 3 gns (unframed)

171. Day's beginning. 3 gns (unframed)

172. Roses. 10 gns (unframed)

173. The Big Gums. 10 gns (unframed)

174. Perth (W.A.). 4 gns (unframed)

175. Autumn dawn. 4 gns (unframed)

176. Morning moon. 3 gns (unframed)

177. Moonlit fields [plate for]. 3 gns (unframed)

178. The Karri Tree glade. 6 gns (unframed)

179. Evening symphony. 3½ gns (unframed)

180. Hills of the south. 4 gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

181. The leaning tree 3 gns (unframed)

182. An Australian Summer Day. 8 gns (unframed)

183. The creek in flood. 3½ gns (unframed)

184. Morning*. 2½ gns (unframed)

185. Twisted Branches. 2 gns (unframed)

LINDSAY, Lionel (1874–1961)

186. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

187. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

188. San Lorenzo in the Forum, Rome 4 gns (unframed)

189. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

190. St Ferreol, Marseilles 5 gns (unframed)

191. Casa du Cordon. 5 gns (unframed)

192. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

193. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

194. Church in Seville. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

195. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

196. Old Antequera, Andalucia, Spain 5 gns. (unframed)

197. Convent of St Entemia. 6 gns (unframed)

198. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The compliment | Date: 1924 | Technique: etching, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

199. The compliment 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

200. The vaquero 2½ gns (unframed)

201. The water carrier. 1½ gns (unframed)

Artist: LINDSAY, Lionel | Title: Gamecocks, Spain | Date: 1919 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

202. Gamecocks, Spain 10 gns (unframed) | 1 only for sale

203. Alcazar, Seville. 2½ gns (unframed)

204. The bucking brumby. 2 gns (unframed)

205. The Sailor's Return. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little Balcony, Ferry Lane, The Rocks | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

206. Little Balcony, Ferry Lane, The Rocks 2 gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: Old Burwood Hotel, Kent Street. | Date: 1923 | Technique: etching and aquatint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

207. Old Burwood Hotel, Kent Street. 3 gns (unframed) | 1 only for sale

208. Gloucester Street. 2 gns (unframed)

209. Pastoral. 2½ gns (unframed)

210. The water hole. 2½ gns (unframed) | 1 only for sale

211. A Pipe of Baccy. 2½ gns (unframed)

212. The Law Courts. 2 gns (unframed)

213. The Swing Bridge. 2 gns (unframed) | 1 only for sale

214. Under the Laurels. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The drafting gate, Bendemeer | Date: 1925 | Technique: drypoint, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

215. The drafting gate, Bendemeer 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

216. Evening ride 5 gns (unframed)

217. Byron. 2½ gns (unframed) | 1 only for sale

Artist: LINDSAY, Lionel | Title: The fountain | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

218. The fountain 2½ gns (unframed) | I only for sale

219. Kookaburra. 1 gn (unframed) | woodcut

220. Pelican. (1 only). 4 gns (unframed) | 1 only for sale | woodcut

221. Heron. 1 gn (unframed) | woodcut

222. Witch. 1½ gns (unframed) | woodcut

223. Spangles. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

224. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

225. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The black cat | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block; touched with brush and black ink | Copyright: Courtesy of the National Library of Australia

226. The black cat 3 gns (unframed) | 1 only for sale | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

227. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Dahlias | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

228. Dahlias 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

229. Fruit piece 1 gn (unframed) | woodcut

230. Bignonia. 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

231. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

232. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

233. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

234. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

235. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

236. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

237. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

238. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

239. The broken plough 3½ gns (framed)

Rose, Herbert. (1890–1937)

240. Piazza Umberto Desengano, Italy. 3½ gns (framed) | drypoint

241. Rue des Tamis, Tunis. 4½ gns (framed) | drypoint

242. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

243. Fondamenta Tasca, Venice. 3½ gns (framed)

244. The Sugar Mills. 8 gns (framed)

245. The Zattere, Venice. 3½ gns (framed) | drypoint

246. Old Village Cagnes. 3 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

253. The Ring 4 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

254. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

255. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

256. The man in black. 6 gns (unframed)

257. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

258. House on the hill. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: The poddy calf | Date: c.1925 | Technique: linocut, printed in black ink, from one block

259. The poddy calf 3 gns (unframed)

260. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

261. Ducks 1 gn (unframed)

Friedensen, Thomas. (1879–1931)

262. Interior, Ann Hathaways's Cottage. 3 gns (unframed)

263. Windsor Castle, Berkshire. 2 gns (unframed)

264. The archway, Riviera. 3 gns (unframed)

265. The Madonna of the Bush. 1½ gns (unframed)

266. Harnessing. 1½ gns (unframed)

267. Homestead in the North-West. 2 gns (unframed)

268. The bark hut. 2 gns (unframed)

269. Venice, No. 2. 2 gns (unframed)

270. Building the bridge, Sydney Harbour. 2½ gns (unframed)

271. Omar, the Tent Maker. 3 gns (unframed)

272. The Drovers. 3 gns (unframed)

273. The Mounain Road, Brush Creek. 3 gns (unframed)

274. The Grand Canal, Venice. 3 gns (unframed)

275. Fountains Abbey, Yorkshire. 3 gns (unframed)

276. The Bush, New South Wales. 4 gns (unframed)

277. Three Kookaburras. 2 gns (unframed)

278. The Wallondilly. 3 gns (unframed)

279. Venice. 4 gns (unframed) | (1 only).

280. Normanby. (1 only). 3 gns (unframed) | 1 only for sale

LONG, Sydney (1871–1955)

Artist: LONG, Sydney | Title: The bridge, Avoca | Date: 1926 | Technique: line-etching and drypoint printed in black ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

281. The bridge, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: The lake, Avoca | Date: 1926 | Technique: line-etching and drypoint, printed in brown ink with plate-tone, from one zinc plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

282. The lake, Avoca 4 gns (unframed)

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

283.

The blacksmith's shop

4 gns (unframed)

284. The Hawkesbury River at Wiseman's Ferry. 5 gns (unframed)

Artist: LONG, Sydney | Title: Brisbane water | Date: 1925 | Technique: line-etching, printed in brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

285. Brisbane water 4 gns (unframed)

Artist: LONG, Sydney | Title: Fishing boats, Kings Lynn | Date: (1919) | Technique: etching | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

286. Fishing boats, Kings Lynn 4 gns (unframed)

Artist: LONG, Sydney | Title: Berry's Bay | Date: 1926 | Technique: line-etching and drypoint, printed in black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

287. Berry's Bay 3 gns (unframed)

Artist: LONG, Sydney | Title: Magpies | Date: 1920 | Technique: line-etching and drypoint, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

288. Magpies 3 gns (unframed)

289. Kookaburras. 3 gns (unframed)

Artist: LONG, Sydney | Title: A windy day | Date: 1927 | Technique: line-etching, printed in warm black ink with plate-tone, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

290. A windy day 3 gns (unframed)

Artist: LONG, Sydney | Title: The roost | Date: 1927 | Technique: line-etching, printed in brown ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

291. The roost 3 gns (unframed)

Artist: LONG, Sydney | Title: Young Kookaburras | Date: 1925 | Technique: line-etching and drypoint, printed in dark brown ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

292. Young Kookaburras 3 gns (unframed)

Artist: LONG, Sydney | Title: The river from Blackfriars Bridge | Date: 1925 | Technique: line-etching, drypoint printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

293. The river from Blackfriars Bridge 4 gns (unframed)

Artist: LONG, Sydney | Title: The Thames from Waterloo Bridge | Date: (1919) | Technique: line-etching, printed in black ink, from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

294. The Thames from Waterloo Bridge 6 gns (unframed)

LINDSAY, Norman (1879–1969)

295. Moonlight Piper. 12 gns (unframed)

296. Thieves' Kitchen. [no price given] (unframed)

297. Leda. [no price given] (unframed)

298. Don Juan's garden. 8 gns (unframed)

299. The Innocents. 15 gns (unframed)

300. Femininity. 12 gns (framed)

301. Adventure 25 gns (framed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

302. Unknown seas 30 gns (framed)

303. She Arrives. 18 gns (framed)

304. Song of the faun 25 gns (framed)

305. Oblation. 18 gns (framed)

305a.The. Butterfly. 12 gns (framed)

306. Robin Hood. 7 gns (framed)

307. Enter the Duke. 15 gns (framed)

308. Acceptance. 6 gns (framed)

309. The Poet. 8 gns (framed)

310. Love on Earth. 18 gns (framed)

311. The bride. 12 gns (framed)

Dillon, Cyril. (1883–1974)

312. Spires of St. Paul's, Melbourne. 3 gns (unframed)

313. Melbourne Grammar School. 3 gns (unframed)

314. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

315. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

316. Old houses, Cumberland Street, the Rocks. 2½ gns.(unframed)

317. Entrance, old Colonial Treasury. 4 gns (unframed)

318. 177 Kent Street, Sydney. 2 gns (unframed)

319. Cumberland Street Hostel. 2½ gns(unframed)

320. Argyle. 3 gns (unframed)

321. Ah Lum's Farm, Windsor. 5 gns (unframed)

322. Entrance to the Farm. 2 gns (unframed)

323. Packing Oranges. 3 gns (unframed)

324. Shade. 3 gns (unframed)

325. Hawkesbury River Farm. 5 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

326. Deserted courtyard, Hartley 5 gns (unframed)

327. Rose's Mill, Mt Gilead. 5 gns (unframed)

Cobb, Victor. (1876–1945)

328. Sunday morning, Collins Street. 3 gns (framed)

329. The Tower, Arts School, Universiy. 3½ gns (framed)

330. The two poplars. [no price given] (framed)

331. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

332. Gothic Window, old museum, Melbourne University [1]. [no price given] (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

333. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

334. Entrance, Trinity College. 2 gns (framed)

335. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

336. Fragment. 1 gn (framed)

Sheldon, Vincent. (1895–1945)

337. Old St. Andrew's, Brisbane. 2 gns (unframed)

338. Evening. 2 gns (unframed)

339. The old kiln. 2 gns (unframed)

Gallop, Herbert. (1890–1958)

340. Lakeshore. 4 gns (unframed)

341. Macquarie Shore. [no price given]

342. Shade Ti Trees. 3 gns (unframed)

343. The farm sheds. [no price given] (unframed)

344. Farmyard, Winter. 2½ gns (unframed)

345. Lacewood Pines. 2½ gns (unframed)

346. Pittwater shore. 2½ gns (unframed)

347. The white boathouse. 2½ gns (unframed)

348. The sheltered barn. 2 gns (unframed)

349. The drinking pool. 2 gns (unframed)

350. Windswept. 4 gns (unframed)

351. The old gateway. 2 gns (unframed)

GRIFFIN, Murray (1903–1992)

352. Enchanted wood 3 gns (framed)

353. Ann Mary. 3 gns (framed)

Thompson, Thelma. (1920–)

354. The Hermitage Bell. 2 gns (framed)

355. The Bridge of Sighs, Venice. 3 gns (framed)

356. York Minster. 3 gns (framed)

Flett, James. (1906–1986)

357. The Treasure Chest. 6 gns (framed)

358. Dead Man's Tree. 2½ gns (framed)

359. Berries. 3½ gns (framed)

Artist: Flett, James. | Title: Jerboas. | Date: (1932) | Technique: linocut, printed in colour, from mutliple blocks

360. Jerboas. 3 gns (framed)

361. The intruders. 3 gns (framed)

Artist: Flett, James. | Title: The artist. | Date: 1928 | Technique: linocut, printed in colour, from multiple blocks

362. The artist. 3½ gns (framed)

363. The Pirate. 3 gns (framed)

364. Victorian Days. 2½ gns (framed)

365. The Dominican. 2 gns (framed)

366. The old captain. 2 gns (framed)

367. Fawkner. 2 gns (framed)

368. Dampier. 2 gns (framed)

369. Peter, the Pumpkin Eater. 4 gns (framed)

Reynolds, Frederick George. (1880–1932)

370. Ti tree. 1 gn (framed)

371. In the Dandenongs. 6 gns (framed)

372. The bullock team. 2 gns (framed)

373. Giant Blue Gums. 2 gns (framed)

374. Edge of the clearing. 2 gns (framed)

375. A bush road. 7 gns (framed)

Hosking, W. John. (1930–)

376. Sunny hours. 3 gns (framed)

377. The Slow Motion Steeplechase. 1½ gns (framed)

378. Pals. 1½ gns (framed)

379. Ursa Major and Ursa Minor. 2 gns (framed)

380. The Shearers. 1½ gns (framed)

381. The caravan. 2 gns (framed)

382. Moonrise. 1½ gns (framed)

383. The Light, Fantastic Toe. 2½ gns (framed)

GOODCHILD, John (1898–1980)

384. The Northern Group. 2 gns (unframed)

Goodhart, J.C. (1873–1952)

385. Klondyke Propty. Mine. 3 gns (unframed)

386. Molle Street Bridge, Hobart. 2 gns (unframed)

387. A bit of old Hobart. 1 gn (unframed)

7th Xmas Exhibition of Etchings and Woodcuts by Leading English and Australian Artists

Venues

Sedon Galleries [2] (3 December 1931 – 24 December 1931)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Venue Not Identified. (3 December 1931 – 24 December 1931)

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

Zorn, Anders. (1860–1920)

3. My Models and My Boat. 25 gns (framed)

4. Against the current. 25 gns (framed)

Kasimir, Luigi. (1881–1962)

5. The old courtyard, Munich. 4 gns (framed)

6. The Tal, Munich. 3 gns (framed)

Tushingham, Sidney. (1884–1968)

7. Landscape. 12 gns (framed)

Bauer, Carl Joseph. (1897–1989)

8. Nude. 6 gns (framed)

Macbeth-Raeburn, Henry. (1860–1947)

9. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

10. The Agglestone, Studland Heath, Dorset. 3 gns

11. Old Poole Bridge. 3 gns

12. A Purbeck Farmstead. 3 gns

13. Moonrise in Pinelandd. 4 gns

14. London, from Cherry Gardens. 5 gns

15. Eastington Farm, Dorset. 3 gns

16. Storm and sunshine in the Cotswolds. 4 gns

17. A Dorset Shipyard. 5 gns

18. Whitgift Jetty, Yorkshire. 4 gns

19. Nocturne, Hammersmith. 3 gns

20. The Home of the Barges, Rochester Night. 5 gns

21. Benscombe Farm, Dorset. 3 gns

22. Doughty's Island. 3 gns

23. Nocturne, Westminster. 4 gns

24. An ancient house, Rochester. 3 gns

25. Near Bradle, Dorset. 4 gns

26. Blackmanstone Farm, Dorset. 5 gns

27. The Two Bowsprits, Poole. 4 gns

28. Under the Stern, Poole. 5 gns

29. House at Worth, Maltravers. 2 gns

30. Low Tide, Hammersmith. 3 gns

31. The condemned dwelling. 5 gns

32. Tugs on the Maas, Holland. 4 gns

33. Swanage Mill Pond. 4 gns

34. Thames Factories. 4 gns

Sharland, Edward W. (1884–1967)

35. London Bridge. 3 gns

36. Blackfriars Bridge. 3 gns

37. London Bridge. 3 gns | colour

38. Prince Henry's House, Fleet Street. 3 gns

39. The Old Mint at Bristol. 3 gns

40. Bit of Old London. 3 gns

van RAALTE, Henri (1881–1929)

54. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

55. The cliff 5½ gns (unframed) | aquatint

56. Hillside stream. 8½ gns (unframed) | aquatint

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

57. The end of day 1½ gns (unframed) | aquatint

58. The road. 5 gns (unframed)

59. Day's beginning. 4½ gns (unframed) | aquatint

60. Perth (W.A.). 5½ gns (unframed) | aquatint

61. Morning moon. 4½ gns (unframed)

61. Evening symphony. 5 gns (unframed)

62. Moonlit fields [plate for]. 5 gns (unframed)

63. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. The creek in flood. 4½ gns (unframed)

69. Morning. 4 gns (unframed)

70. Twisted Branches. 2½ gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

71. The Bassra guard 5 gns (unframed)

72. The Casa del Fores, Granada. 4 (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

73. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. The Tunis Gate, Kairouan 6 gns (unframed)

75. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

76. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

77. San Lorenzo in the Forum, Rome 4 gns (unframed)

78. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

79. St Ferreol, Marseilles 5 gns (unframed)

80. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

81. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed).

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

82. Little market, San Gaetano, Naples 5 gns (unframed).

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

83. Old Antequera, Andalucia, Spain 5 gns (unframed)

84. Santa Dominica, Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

85. The vaquero 2½ gns (unframed)

86. The water carrier. 1½ gns (unframed)

87. The bucking brumby. 2 gns (unframed)

88. The Sailor's Return. 2 gns (unframed)

89. A Pipe of Baccy. 2½ gns (unframed)

90. The Law Courts. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: Evening ride | Date: 1925 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

91. Evening ride 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

92. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

93. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

94. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

95. Fruit piece 1 gn (unframed) | woodcut

Herbert, Harold. (1891–1945)

96. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

97. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

98. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

99. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

100. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

101. In Morocco 3½ gns (framed)

Artist: Herbert, Harold. | Title: The old gum | Date: c.1928 | Technique: etching, printed in black ink, from one plate

102. The old gum 3 gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

103. The haystacks 3 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The broken plough | Date: c.1923 | Technique: etching, printed in black ink, from one plate

104. The broken plough 3½ gns (framed)

Hosking, W. John. (1930–)

105. Steeplejacks. 4 gns (framed)

Rose, Herbert. (1890–1937)

106 Piazza Umberto Desengano, Italy. 31/2 gns (framed) | drypoint

107. Rue des Tamis, Tunis. 41/2 gns (framed) | drypoint

108. Place St. Pierre, Chartres, France. 3 gns (framed) | drypoint

109. Fondamenta Tasca, Venice. 31/2 gns (framed)

110. The Zattere, Venice. 31/2 gns (framed) | drypoint

112. Cagnes, France. 31/2 gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

Wheeler, Charles. (1881–1977)

114. St. Clement Dane's Church. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

114. The home paddock. 3 gns (unframed)

Wheeler, Charles. (1881–1977)

115. Queen Victoria Memorial. 4 gns (framed)

116. Montmartre. 4 gns (framed)

117. La Tour De L'Horloge, Dinan. 4 gns (framed)

118. Milking Time. 4 gns (framed)

119. Aqueduct, Segoria. 4 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

120. The Ring 5 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

121. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

122. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

123. The man in black. 6 gns (unframed)

124. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

125. House on the hill. 4 gns (unframed)

126. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

127. Ducks 1 gn (unframed)

128. Head. 1 gn (unframed)

130. Fish Lane, Chester. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

131. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

132. Morgan Le Fay. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

134. Landscape, Narrabeen. 3 gns (unframed)

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

136.

The blacksmith's shop

4 gns (unframed)

138. Boatshed, Narrabeen. 4 gns (unframed)

Friedensen, Thomas. (1879–1931)

139. A Moorish gateway. 1½ gn (unframed)

140. Canal in Venice. 3 gns (unframed)

141. Clearing, Morning. 3 gns (unframed)

142. The flooded creek. 4 gns (unframed)

143. A mountain selection. 2 gns (unframed)

145. Home in the Bush. 1½ gns (unframed)

146. Homestead on the Federal Highway. 2 gns (unframed)

147. The Madonna of the Bush. 2 gns (unframed)

148. Omar, the Tent Maker. 3 gns (unframed)

149. The Grand Canal, Venice. 3 gns (unframed)

LINDSAY, Norman (1879–1969)

150. Enter the Magicians. 15 gns (unframed)

151. Julia Fisk and Mr Brish. 7 gns (unframed)

152. Leda. 10 gns (unframed)

153. Thieves' Kitchen. 10 gns (unframed)

154. C Sharp Minor Quartette. 15 gns (unframed)

155. Night's Frolics. 8 gns (unframed)

156. Don Juan's garden. 8 gns (unframed)

157. Femininity. 12 gns (unframed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 12 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 12 gns (unframed)

Zelman, Victor. (1877–1960)

164. Reflections, Thornton. 2 gns (framed)

165. Shepherd's Flat. 2 gns (framed)

166. The wood carter. 2 gns (framed)

167. The Burnley Ferry. 2 gns (framed)

168. Pastoral. 2 gns (framed)

Dillon, Cyril. (1883–1974)

169. Spires of St. Paul's, Melbourne. 3 gns (unframed)

170. Melbourne Grammar School. 3 gns (unframed)

171. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

172. 'Queen's', Melbourne University. 3 gns (unframed)

URE SMITH, Sydney (1887–1949)

173. Old Homes, Cumberland Street. 2½ gns (unframed)

174. Entrance, old Colonial Treasury. 4 gns (unframed)

175. Cumberland Street Hostel. 2½ gns (unframed)

176. Argyle. 3 gns (unframed)

177. Entrance to the Farm. 2 gns (unframed)

178. Packing Oranges. 3 gns (unframed).

179. Shade. 3 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

180. Deserted courtyard, Hartley 5 gns (unframed)

181. Rose's Mill, Mt Gilead. 5 gns (unframed)

GOODCHILD, John (1898–1980)

182. Westminster Abbey, London. 3 gns (unframed)

GOODCHILD, John (1898–1980) and SHIRLOW, John (1869–1936)

183. Sydney from Milsons Point. 4 gns (unframed)

GOODCHILD, John (1898–1980)

184. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

185. Banks of Arno 2 gns (unframed)

186. Gums in sunlight. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

187. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

188. Castlereagh Street. 2 gns (unframed)

189. Trafalgar Square, London. 3½ gns (unframed)

190. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

191. The port, London 2½ gns (unframed)

192. Tivoli, Italy. 2½ gns (unframed)

193. The Estuary. 3 gns (unframed)

194. Gateway, Lincoln. 2 gns (unframed)

195. Evening anchorage. 2½ gns (unframed)

196. Home berths. 3 gns (unframed)

197. King Street, Sydney. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Landscape harmony | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

198. Landscape harmony 2 gns (unframed)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

199. Brandon Bridge 5 gns (unframed)

Artist: GOODCHILD, John | Title: Light through trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

200. Light through trees 2 gns (unframed)

201. Solitude. 3 gns (unframed)

Cobb, Victor. (1876–1945)

202. The two stacks. 3 gns (framed)

203. Sunday morning, Collins Street. 3 gns (framed)

204. Old Southern Cross Hotel, Bourke Street. 1½ gns (framed)

Artist: Cobb, Victor. | Title: Approach to the old stables of Cobb and Co., Melbourne. | Date: 1926 | Technique: etching, printed in warm black ink, from one plate

205. Approach to the old stables of Cobb and Co., Melbourne. 3½ gns (framed)

206. Side Door, Wilson Hall (University of Melbourne). 1½ gns (framed)

207. Trinity College. 2 gns (framed)

208. Doorway, old Scotch College. 2 gns (framed).

209. Scotch College, Hawthorn. 2½ gns (framed)

210. St. John's Church, Toorak. 2½ gns (framed)

211. Princes Bridge, from the West. 3 gns (framed)

212. Scots Church, Collins St. 2½ gns (framed)

213. The archway, Scotch College. 3 gns (framed)

214. The Tower, Melbourne Grammar School. 3 gns (framed)

215. Norman Archway, City Courts. 2½ gns (framed)

216. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

217. Ye Olde Mitre Tavern. 2½ gns (framed)

218. Coombe Cottage, Coldstream. 4 gns (framed)

219. Pergola and Bath, Coombe Cottage. 4 gns (framed)

220. Queen's Bridge. 1½ gns (framed)

221. Old St. James' Cathedral. 3½ gns (framed)

222. Evening light, Darebin Creek. 3½ gns (framed)

223. Haunt of the Kingfisher, Alexandra. 3 gns (framed)

224. A glimpse Melbourne. 2½ gns (framed)

SHIRLOW, John (1869–1936)

225. Twilight. 4 gns (framed) | aquatint

226. The smithy, Ross, Tasmania. 2 gns (framed)

227. The city. 3 gns (framed)

228. Sunset. 4 gns (framed)

229. Top of Bourke Street. 3 gns (framed)

230. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

231. Corio Bay, Geelong. 3 gns (framed)

232. Yarraside. (2nd State). 3 gns (framed)

Hosking, W. John. (1930–)

233. The Shearers. 2 gns (unframed)

234. Sleep. 21/2 (unframed)

235. The preacher in the pulpit. 21/2 gns (unframed)

LONG, Sydney (1871–1955)

235. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

Hosking, W. John. (1930–)

236 The dragon plane. 2 gns (unframed)

237. The fairy ring. 31/2 gns (unframed)

238. The butterfly dance. 5 gns (unframed)

239. The caravan. 2 gns (unframed)

240 Steeplejacks. 2 gns (unframed)

241. Refreshment. 2 gns (framed)

242. Ursa Major and Ursa Minor. 2 gns (framed)

243. Hush! the Mantos Prays. 3 gns (framed)

244. Pals. 2 gns (framed)

245. The Light, Fantastic Toe. 3 gns (framed)

246. The Slow Motion Steeplechase. 4 gns (framed)

247. Sunny hours. 3½ gns (framed)

Taylor, Stephanie. (1899–1974)

248. The gum. 2 gns (framed)

McCulloch, Alan. (1907–1992)

249. The coming storm. 3 gns (framed)

250. The Windmill. 2 gns (framed)

Pestell, William. (1930–)

251. Scots' Church Spire. 3 gns (framed)

Williams, C.W. (1930–)

252. Princes Bridge. 4 gns (framed)

253. Scots' Church, Collins Street. 4 gns (framed)

254. Flinders Street Station. 4 gns (framed)

255. Collins Street, from Treasury. 3 gns (framed)

256. Harbour Mists, Sydney. 5 gns (framed)

257. St. Patrick's Cathedral. 5 gns (framed)

258. Morning mists. 4 gns (framed)

259. Parliament House, Melbourne. 7 gns (framed).

260. The T. and G. Building. 6 gns (framed)

261. Sydney Bridge and North Pylon. 5 gns (framed)

262. Old Sydney and 'Our' Bridge. 6 gns (framed)

Eighth Xmas Exhibition of Etchings and Woodcuts by Master Etchers. 8th&#160;Xmas Exhibition of Etchings and Woodcuts by Master Etchers.

Venues

Sedon Galleries [2] (6 December 1932 – 24 December 1932)
Elizabeth House, 192 Elizabeth St., (Crn Elizabeth & Little Collins St.,) Melbourne, Victoria, Australia

Works

Brangwyn, Frank. (1867–1956)

1. Roundabout, Bruges. 7 gns (framed)

WALCOT, William (1874–1943)

2. Back Door, Soloman's Palace. 9 gns (framed)

STRANG, William (1859–1921)

3. A Matter of Business. 10 gns

Macbeth-Raeburn, Henry. (1860–1947)

4. Mrs Malcolm (after Raeburn). 6 gns

Ward, Leslie. (1895–1978)

5. Swanage Mill Pond. 4 gns (unframed)

6. Cement works. 5 gns (unframed)

Wyllie, William Lionel (1851–1931)

7. The Fishing Fleet. 5 gns (framed)

Slater, Eric. (1896–)

9. Autumn. 5 gns (unframed).

10. Pyrethrums. 6 gns (unframed).

11. Japanese Bush Lanterns. 8 gns (unframed).

12. The headland by moonlight. 4 gns (unframed).

13. Corfe Castle, Dorset. 4 gns (unframed).

14. Rough Sea. 4 gns (unframed).

15. Sussex Mill. 5 gns (unframed).

Brouet, L. (1932–)

17. Three Caravans. 10 gns (unframed)

Hartrick, A.S. (1864–1950)

18. The Wassailers. 8 gns (unframed)

19. The evening hymn. 10 gns (unframed)

20. The Bellringers. 10 gns (unframed)

21. The cartbread, St Peter's Dunstable. 10 gns (unframed)

22. Needpath Castle. 8 gns (unframed)

Knight, Loxton.

23. Norwich. 5 gns (unframed)

Blatherwith, Lily. (1859–1934)

25. The Poppy. 5 gns (unframed)

26. February Fairmaids. 5 gns (unframed)

27. Poppies. 6 gns (unframed)

28. Shirley Poppies. 10 gns (unframed)

30. The Frog and the Water Lilies. 10 gns (unframed)

HANFSTANGEL (by 1932)

31. Head after Holbein. 5 gns (unframed)

32. Head after Holbein. 5 gns (unframed)

Christensen, Arent. (1898–1982)

33. A Roman Watermill. 6 gns (unframed)

Emanuel, Frank. (1865–1948)

34. Normanby. 5 gns

HARVEY, F. (by 1932)

35. The Players. 12 gns

Hammer, Nicolas. (1932–)

36. Bromley. 3 gns (unframed)

Fitzgerald, C.

37. Fountain of Love. 10 gns (unframed) | mezzotint

38. The Laughing Cavalier. 5 gns (unframed) | mezzotint

39. La Confidence. 7 gns (unframed) | mezzotint

40. The Dancers of Gondolf Castle (after Corot). 7 gns (unframed) | Mezzotint

Zipperer, Ernest. (1888–1992)

41. Bremen. 4 gns

Japanese printmaker.

42. Geese. 5 gns (unframed) | woodcut

43. The canal. 5 gns (unframed).

44. Winter. 4 gns (unframed) | woodcut

van RAALTE, Henri (1881–1929)

57. The Monarch, Kalgan River, W.A. 60 gns (unframed)

Artist: van RAALTE, Henri | Title: The cliff | Date: c.1927 | Technique: aquatint, printed in colour, from multiple plates

58. The cliff 5½ (unframed) | aquatint

Artist: van RAALTE, Henri | Title: The end of day | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

59. The end of day 4½ gns (unframed) | aquatint

60. The road. 5 gns (unframed)

61. Day's beginning. 4½ gns (unframed) | aquatint

62. Perth (W.A.). 5½ gns (unframed) | aquatint

63. Moonlit fields [plate for]. 5 gns (unframed)

64. The Karri Tree glade. 9 gns (unframed)

65. Hills of the south. 5½ gns (unframed)

Artist: van RAALTE, Henri | Title: The leaning tree | Date: c.1927 | Technique: aquatint, printed in brown ink, from one plate

66. The leaning tree 5 gns (unframed)

67. An Australian Summer Day. 10 gns (unframed)

68. Morning. 4 gns (unframed)

LINDSAY, Lionel (1874–1961)

Artist: LINDSAY, Lionel | Title: The Bassra guard | Date: 1929 | Technique: drypoint, printed in brown ink, from one plate | Copyright: Courtesy of the National Library of Australia

69. The Bassra guard 5 gns (unframed)

70. The Casa del Fores, Granada. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The barber of Bou-Saada, Algeria | Date: 1929 | Technique: etching, printed in warm black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

71. The barber of Bou-Saada, Algeria 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: The Tunis Gate, Kairouan | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

72. The Tunis Gate, Kairouan 6 gns (unframed)

73. Town Gate, Burgos. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: An ancient gateway, Burgos | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

74. An ancient gateway, Burgos 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: San Lorenzo in the Forum, Rome | Date: 1928 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

75. San Lorenzo in the Forum, Rome 4 gns (unframed)

76. A Door, Castle Nuovo, Naples. 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: St Ferreol, Marseilles | Date: 1927 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

77. St Ferreol, Marseilles 5 gns (unframed)

78. The Street of the Aquaduct, Segovia. 4 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old barn, Dinkelsbuhl, Bavaria | Date: 1928 | Technique: drypoint, printed in black ink, from one plate | Copyright: Courtesy of the National Library of Australia

79. Old barn, Dinkelsbuhl, Bavaria 3 gns (unframed)

Artist: LINDSAY, Lionel | Title: Little market, San Gaetano, Naples | Date: 1927 | Technique: etching, printed in black ink, from one plaate | Copyright: Courtesy of the National Library of Australia

80. Little market, San Gaetano, Naples 5 gns (unframed)

Artist: LINDSAY, Lionel | Title: Old Antequera, Andalucia, Spain | Date: 1929 | Technique: drypoint, printed in brown ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

81. Old Antequera, Andalucia, Spain 5 gns (unframed)

82. Santa Dominica Maggiore. 6 gns (unframed)

Artist: LINDSAY, Lionel | Title: The vaquero | Date: 1923 | Technique: etching, printed in black ink with plate-tone, from one plate | Copyright: Courtesy of the National Library of Australia

83. The vaquero 2½ gns (unframed)

84. Street Balcony, Guadelupe. 3 gns (unframed)

85. San Idilfonso. 4 gns (unframed)

86. Dawes Point. 2 gns (unframed)

Artist: LINDSAY, Lionel | Title: White goats | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

87. White goats 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The Emperor | Date: 1922 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

88. The Emperor 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The broken fence | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

89. The broken fence 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Fruit piece | Date: 1925 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

90. Fruit piece 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Hornbill | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

91. Hornbill 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Polar Bear | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

92. Polar Bear 2 gns (unframed) | woodcut

93. Currassow and Oleander. 1½ gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The clipped wing | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

94. The clipped wing 2 gns (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: The crab | Date: 1931 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

95. The crab 2 gns (unframed) | woodcut

96. Camelias. 1 gn (unframed) | woodcut

Artist: LINDSAY, Lionel | Title: Owls | Date: 1932 | Technique: wood-engraving, printed in black ink, from one block | Copyright: Courtesy of the National Library of Australia

97. Owls 1½ gns (unframed) | woodcut

Herbert, Harold. (1891–1945)

98. Cypresses, Ronda. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Lime kiln cottage | Date: 1923 | Technique: etching, printed in black ink, from one plate

99. Lime kiln cottage 3½ gns (framed)

Herbert, Harold. (1891–1945)

100. Fishing boats, Martigues. 4 gns (framed)

Cobb, Victor. (1876–1945) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The hermitage, Martigue. | Date: c.1921 | Technique: drypoint, printed in black ink, from one plate

101. The hermitage, Martigue. 4 gns (framed)

Heath, Gregory. (1944–) and Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: Brixham trawlers | Date: c.1923 | Technique: etching, printed in black ink, from one plate

102. Brixham trawlers 3½ gns (framed)

Artist: Herbert, Harold. | Title: In Morocco | Date: c.1928 | Technique: etching, printed in black ink, from one plate

103. In Morocco 3½ gns (framed)

Herbert, Harold. (1891–1945)

Artist: Herbert, Harold. | Title: The haystacks | Date: c.1928 | Technique: etching, printed in brown ink with plate-tone, from one plate

104. The haystacks 3 gns (framed)

Rose, Herbert. (1890–1937)

105. St. Marks, Venice. 4 gns (framed)

106. Piazza Umberto Desengano, Italy. 3½ gns (framed)

107. Rue des Tamis, Tunis. 4½ gns (framed)

108. Place St. Pierre, Chartres, France. 3 gns (framed)

109. Fondamenta Tasca, Venice. 3½ gns (framed)

110. The Zattere, Venice. 3½ gns (framed) | drypont

112. Cagnes, France. 3½ gns (framed)

113. Sydney Harbour from Cremorne. 4 gns (framed)

114. Old gateway, Sisteron, France. 41/2

115. The old bridge, Besalu, Spain. 4 gns

GOODCHILD, John (1898–1980)

122. Westminster Abbey, London. 3 gns (unframed)

123. Sydney, from Milson's Point. 4 gns (unframed)

124. Night, Venice. 1 gn (unframed)

Artist: GOODCHILD, John | Title: Banks of Arno | Date: 1932 | Technique: etching, printed in black ink, from one plate

125. Banks of Arno 2 gns (unframed)

Artist: GOODCHILD, John | Title: Piccadilly Circus (under Reconstruction) | Date: 1927 | Technique: etching, printed in black ink, from one plate

126. Piccadilly Circus (under Reconstruction) 3½ gns (unframed)

127. Trafalgar Square, London. 3½ gns (unframed)

128. Australian Summer Landscape. 4 gns (unframed)

Artist: GOODCHILD, John | Title: The port, London | Date: 1928 | Technique: drypoint, printed in black ink, from one plate

129. The port, London 2½ gns (unframed)

130. Tivoli, Italy. 2½ gns (unframed)

131. Evening anchorage. 2½ gns (unframed)

132. King Street, Sydney. 3 gns (unframed)

LONG, Sydney (1871–1955)

133. A Sandgrain Pastoral. 3 gns (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Brandon Bridge | Date: 1927 | Technique: lithograph, printed in black ink, from one stone

133. Brandon Bridge 5 gns (unframed)

134. Solitude. 3 gns (unframed)

135. Landscape, Otway Ranges. 5 gns (unframed)

136. Barwon Heads. 4 gns (unframed)

137. Otway Ranges. 4 gns (unframed)

LONG, Sydney (1871–1955)

138. Boatshed, Narrabeen. 1 gn (unframed)

GOODCHILD, John (1898–1980)

Artist: GOODCHILD, John | Title: Yarra Mouth | Date: 1936 | Technique: aquatint, printed in black ink, from one plate

138. Yarra Mouth 3 gns (unframed)

139. Ti-tree and Morning Light. 3 gns (unframed)

Artist: GOODCHILD, John | Title: Afternoon light | Date: 1929 | Technique: lithograph, printed in black ink, from one stone

140. Afternoon light 2 gns (unframed)

Artist: GOODCHILD, John | Title: Riverside trees | Date: 1926 | Technique: lithograph, printed in black ink, from one stone

141. Riverside trees 3 gns (unframed)

142. Morning glow. 3 gns (unframed)

143. Summer glow. 5 gns (unframed)

144. The barn. 10 gns (unframed)

145. Winter Glow. 2½ gns (unframed)

146. Hick's Lane, Melbourne. 1½ gns (unframed)

147. Swanston Street, Melbourne. 3½ gns (unframed)

148. Italian markets, Rome. 15 gns (unframed)

149. The Grand Canal, Venice. 25 gns (unframed)

150. Ponte Vecchio, Florence. 12 gns (unframed)

LINDSAY, Norman (1879–1969)

151. Enter the Magicians. 15 gns (unframed)

152. Julia Fisk and Mr Brish. 7 gns (unframed)

153. Leda. 10 gns (unframed)

154. Thieves' Kitchen. 10 gns (unframed)

155. C Sharp Minor Quartette. 15 gns (unframed)

156. Night's Frolics. 8 gns (unframed)

157. Don Juan's garden. 8 gns (unframed)

Artist: LINDSAY, Norman | Title: Unknown seas | Date: 1922 | Technique: etching, engraving and stipple, printed in dark-blue ink, from one copper plate

158. Unknown seas 35 gns (unframed)

159. Oblation. 18 gns (unframed)

160. The butterfly. 10 gns (unframed)

161. The Poet. 8 gns (unframed)

162. Love on Earth. 18 gns (unframed)

163. The bride. 10 gns (unframed)

Sherwood, Maud. (1880–1956)

164. Camelias. 4 gns (unframed)

165. The Market. 3 gns (unframed)

166. Spanish shepherd. 1 gn (unframed)

167. Anemonies. 4 gns (unframed)

168. Spanish Market. 4 gns (unframed)

169. Venetian fishing boats. 2½ gns (unframed)

170. Capri. 3 gns (unframed)

171. The Discussion. 2 gns (unframed)

172. Place St Nicolas, Sospel. 2 gns (unframed)

173. After the Service. 1 gn (unframed)

174. The Dancer. 1½ gns (unframed)

175. The Bridge. 1 gn (unframed)

SHIRLOW, John (1869–1936)

176. Twilight. 4 gns (framed) | aquatint

177. The smithy, Ross, Tasmania. 2 gns (framed)

178. The city. 3 gns (framed)

179. Sunset. 4 gns (framed)

180. Top of Bourke Street. 3 gns (framed)

181. Laneway, St Paul's Cathedral, Melbourne. 3 gns (framed)

182. Corio Bay, Geelong. 3 gns (framed)

183. Yarraside. (2nd State). 3 gns (framed)

184. Swanston Street and Station. 6 gns (framed)

185. Princes Bridge. 5 gns (framed)

Waller, M. Napier. (1893–1972)

Artist: Waller, M. Napier. | Title: The Ring | Date: 1923 | Technique: wood-engraving, printed in black ink, from one block

187. The Ring 5 gns (unframed)

Artist: Waller, M. Napier. | Title: Hit. | Date: (1923) | Technique: linocut, printed in black ink, from one block

188. Hit. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Guinea fowls | Date: c.1922 | Technique: linocut, printed in black ink, from one block

189. Guinea fowls 1 gn (unframed)

Artist: Waller, M. Napier. | Title: The man in black. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

190. The man in black. 6 gns (unframed)

191. The black cloak. 4 gns (unframed)

Artist: Waller, M. Napier. | Title: House on the hill. | Date: 1925 | Technique: linocut, printed in colour, from multiple blocks

192. House on the hill. 4 gns (unframed)

193. The shepherd. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Ducks | Date: (1923) | Technique: linocut, printed in black ink, from one block

194. Ducks 1 gn (unframed)

195. Head. 1 gn (unframed)

197. Fish Lane, Chester. 3 gns (unframed)

Artist: Waller, M. Napier. | Title: Bantams. | Date: c.1932 | Technique: linocut, printed in colour, from multiple blocks

198. Bantams. 8 gns (unframed)

199. The labyrinth. 3 gns (unframed)

Waller, Christian. (1894–1954)

Artist: Waller, Christian. | Title: The Sorceress. | Date: c.1922 | Technique: linocut, printed in black ink, from one block

200. The Sorceress. 1½ gns (unframed)

Artist: Waller, Christian. | Title: Morgan Le Fay. | Date: c.1927 | Technique: linocut, printed in colour, from multiple blocks; hand-coloured with gold paint

201. Morgan Le Fay. 3 gns (unframed)

202. The Great Breath. (book). 4 gns (unframed)

Wheeler, Charles. (1881–1977)

203. St. Clement Dane's Church. 4 gns (framed)

204. Queen Victoria Memorial. 4 gns (framed)

205. Montmartre. 4 gns (framed)

206. La Tour De L'Horloge, Dinan. 4 gns (framed)

207. Aqueduct, Segovia. 4 gns (framed)

Friedensen, Thomas. (1879–1931)

208. A Moorish gateway. 1½ gns (unframed)

209. Canal in Venice. 3 gns (unframed)

210. Clearing, Morning. 3 gns (unframed)

211. The flooded creek. 4 gns (unframed)

212. The Madonna of the Bush. 2 gns (unframed)

213. Omar, the Tent Maker. 3 gns (unframed)

214. The Grand Canal, Venice. 3 gns (unframed)

Campbell, Fred. (1851–1930)

215. Healesville. 4 gns

LONG, Sydney (1871–1955)

216. Landscape, Narrabeen. 3 gns (unframed)

217. Boyd's Boatshed, Narrabeen. 4 gns (unframed)

Artist: LONG, Sydney | Title: <p>The blacksmith's shop</p> | Date: (1928) | Technique: line-etching, printed in black ink from one copper plate | Copyright: Reproduced with the kind permission of the Ophthalmic Research Institute of Australia

218.

The blacksmith's shop

4 gns (unframed)

219. Badnage Landscape. 4 gn (unframed)

Britton, Fred. (1889–1931)

220. The slips. 5 gns (unframed)

221. A relic of the forties. 6 gns (unframed)

222. Morning light. 5 gns (unframed)

Goodchild, Doreen. (1900–1998)

223. The Hoers. 5 gns (unframed)

Fasken, Myrtle. (1889–1972)

224 Shearing Woodcuts, 1 guinea each. set of seven. 1 gn each (unframed)

Goodchild, Doreen. (1900–1998)

224. The Hoers. 6 gns

Dillon, Cyril. (1883–1974)

227. Spires of St. Paul's, Melbourne. 3 gns (unframed)

227. Spires of St. Paul's, Melbourne. 3 gns (unframed)

228. Melbourne Grammar School. 3 gns (unframed)

228. Melbourne Grammar School. 3 gns (unframed)

229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

229. Barrett Gates and Memorial Hall, Melbourne Grammar. 3 gns (unframed)

230. 'Queens' Melbourne University. 3 gns (unframed)

230. 'Queen's', Melbourne University. 3 gns (unframed)

231. Serenity. 3½ gns (unframed)

231. Serenity. 3½ gns (unframed)

URE SMITH, Sydney (1887–1949)

232. Old houses, Cumberland Street, the Rocks. 2½ gns (unframed)

233. Entrance, old Colonial Treasury. 4 gns (unframed)

234. Cumberland Street Hostel. 2½ gns (unframed)

235. Argyle. 3 gns (unframed)

236. Entrance to the Farm. 2 gns (unframed)

237. Packing Oranges. 3 gns (unframed)

238. Shade. 3 gns (unframed)

Artist: URE SMITH, Sydney | Title: Deserted courtyard, Hartley | Date: 1920 | Technique: etching, printed in brown ink with plate-tone, from one plate

239. Deserted courtyard, Hartley 5 gns (unframed)

240. Rose's Mill, Mt Gilead. 5 gns (unframed)

241. Bellevue Hills. 4 gns (unframed)

Cobb, Victor. (1876–1945)

242. Scotch College, Hawthorn. 2½ gns (framed)

243. St. John's Church, Toorak. 2½ gns (framed)

244. Princes Bridge, from the West. 3 gns (framed)

245. The archway, Scotch College. 3 gns (framed)

246. The Tower, Melbourne Grammar School. 3 gns (framed)

247. Norman Archway, City Courts. 2½ gns (framed)

248. War Memorial by Lambert, Geelong Grammar. 3 gns (framed)

GRIFFIN, Murray (1903–1992)

249. Portrait. 1 gn (unframed)

Artist: GRIFFIN, Murray | Title: Regent bower birds [1]. | Date: 1932 | Technique: linocut, printed in colour, from multiple blocks

250. Regent bower birds [1]. 2 gns (unframed)

251. Magpies [1]. 2 gns (unframed)

252. Comrades. 1 gn (unframed)

253. On the road. 1 gn (unframed)

Montgomery, Anne. (1908–1991)

Artist: Montgomery, Anne. | Title: Shadow and sunlight | Date: 1932 | Technique: etching, printed in brown ink with plate-tone on one plate

254. Shadow and sunlight 2 gns (framed)

255. Ti-tree Pattern. 2 gns (framed)

256. The challenge. 1 gn (framed)

257. Spanish Doorway (Phelia Grimwade House). 2 gns (framed)

Zelman, Victor. (1877–1960)

258. Reflections, Thornton. 2 gns (framed)

259. Shepherd's Flat. 2 gns (framed)

260. The wood carter. 2 gns (framed)

261. The Burnley Ferry. 2 gns (framed)

262. Pastoral. 2 gns (framed)

263. Sailors' Mission Church. 2 gns (framed)

Taylor, Stephanie. (1899–1974)

264. The gum. 2 gns (framed)

265. Glimpse of the Bush. 1 gn (framed)

Hosking, W. John. (1930–)

266. The Shearers. 2 gns (framed)

267. Sleep. 2½ gns (framed)

268. The preacher in the pulpit. 2½ gns (framed)

269. The dragon plane. 2 gns (framed)

270. The fairy ring. 3½ gns (framed)

271. The butterfly dance. 5 gns (framed)

272. The caravan. 2 gns (framed)

273. Steeplejacks. 2 gns (framed)

274. Refreshment. 2 gns (framed)

275. Ursa Major and Ursa Minor. 2 gns (framed)

276. Hush! the Mantus Prays. 3 gns (framed)

277. Pals. 2 gns (framed)

278. The Light, Fantastic Toe. 3 gns (framed)

279. The Slow Motion Steeplechase. 4 gns (framed)

280. Sunny hours. 3½ gns (framed)

Thompson, Thelma. (1920–)

281. The Hermitage Bell. 2 gns (framed)

Williams, C.W. (1930–)

281. Princes Bridge. 4 gns

Thompson, Thelma. (1920–)

282. The Bridge of Sighs, Venice. 3 gns (framed)

283. Yorkminster. 3 gns (framed)

Williams, C.W. (1930–)

285. Scots' Church, Collins Street. 4 gns

286. Flinders Street Station. 4 gns

287. St. Patrick's Cathedral. 5 gns

288. Parliament House, Melbourne. 7 gns.

289. The T. and G. Building. 6 gns

290. Old Sydney and 'Our' Bridge. 6 gns

291. Gums. 4 gns

Dyson, Will. (1880–1938)

292. Mornin' White Trash!. 4 gns