Program for the 7th Australian Print Symposium, 2010.
Past papers.
A context for my work (1989), by Ken Orchard ‘Accordion to Mao’: The heroic and democratic era of the poster in Australia 1975 -1985 (1992). Ann Stephen Art as printmaking: the deterritorialized print (1992). Charles Green As a student I didn’t lean anything about printmaking (1987). Colin Lanceley
A tear in the fabric (2001). Heather Shimmen
Australian print-making, a national collection (1987). Roger Butler Being in the Pacific (1992). Robin White Collecting in context: Acquiring prints for the QUT art collection. (2007). Stephen Rainbird Collecting: Motives, sources and rituals (2007). Akky van Ogtrop
Community arts (1989). Eugenia Hill
Community arts and printmaking (1989). Andrew Hill
Custom or collaborative printing (1989). John Loane
Custom-printing: The Australian experience 1960 -1990s (1992). Julie Robinson
Documents of the lost printmakers: only you can provide the information (1992). John Thomson
Don’t get mad, get even: the ancient art of communication in a technological age (1992). Julia Church
Drypoint encaustic painting (2001). Kim Westcott
Education in print (1989). Margaret Brandl
Establishing the print collection at the Ballarat Fine Art Gallery (1989). Ron Radford
Facing Facts - a partnership in hard times (1992). Helen Maxwell
Forms of ID: Printmaking and issues of cultural identity (1992). Clare Williamson
Helen Wright - processes and images (2001). Penny Mason Home Decor (after Margaret Preston) - digital prints by Gordon Bennett (2001). Ian McLean
How the hell do we cause a change in attitude? (1989). Kate Lohse
In praise of backyard presses and the long way round (1989). Bea Maddock Links with Asia (1992). Alison Carroll
Lock, stock and two burning tapers (Workshops in the bush - NT style) (2001). Basil Hall Love prints (1992). Ray Arnold
Low profile (2001). Zara Stanhope
Marie McMahon - printing in three registers (1989). Julie Ewington
Melbourne printmaking in the 1960s (1992). Tate Adams
Not Picasso’s invention — a foray into the history of reductive linoprinting (2001). Alisa Bunbury Paper skin, Bound body (2007). Alex Selenitsch
Political posters in Adelaide (1989). Mandy Martin
Politics and social concerns in respect to Aboriginal printers or printmakers (1989). Jeff Samuels
Print criticism (1989). Christopher Allen
Printing across borders: the Aar-Paar Project (2004). Chaitanya Sambrani
Printing for artists (1989). Neil Leveson
Printmaking in Papua New Guinea (2001). Melanie Eastburn
Publish or die (1992). Jeff Gibson
Returning to Venusburg (1992). Neil Emmerson Safety in printmaking (1989). Laurel Mckenzie
Selling the work, my experiences with commercial galleries, Australia and overseas (1992). Jorg Schmeisser
The devils triangle: Open Bite Print Workshop (2001). Clive Barstow The humble linocut in the age of digital technologies (2001). G.W. Bot The print collection of the Art Gallery of New South Wales (1989). Kay Vernon
The Print Council of Australia (1989). Graham King
The regional effect (2001). Marian Maguire
The Sydney scene in the 1960s (1992). Earle Backen The Tattoo/Fascist Contradiction (2007). eX de Medici
The TECHNO-FETISH in printmaking (1992). Graeme Cornwell.
The true beginnings of the National Gallery of Victoria’s print collection (1989). Irena Zdanowicz
Torres Strait printmaking (2001). Brian Robinson
Unfamiliar territory the art of constant translation (2001). Nigel Lendon
Why printmakers can’t talk (1992). Robert Nelson Working with Aboriginal communites (2007). Steve Fox